Floor plan

Style galleriesUkiyo-e

Ukiyo-e

A work made of color woodblock print; oban.
Lovers Walking in the Snow (Crow and Heron), by Suzuki Harunobu, 1764–72
Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters, by Kikukawa Eizan, 1812
Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai Province, by Katsushika Hokusai, early 1830s
A work made of color woodblock print; surimono.
A work made of color woodblock print; oban.

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. A work made of color woodblock print; oban.
    One Person, Six Expressions (Hitori rokumenso)Kobayashi Kiyochika, 1884Courtesy of the Art Institute of Chicago
  2. Lovers Walking in the Snow (Crow and Heron), by Suzuki Harunobu, 1764–72
    Lovers Walking in the Snow (Crow and Heron)Suzuki Harunobu, 1764–72Courtesy of The Metropolitan Museum of Art
  3. Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters, by Kikukawa Eizan, 1812
    Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure QuartersKikukawa Eizan, 1812Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai Province, by Katsushika Hokusai, early 1830s
    Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai ProvinceKatsushika Hokusai, early 1830sCourtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; surimono.
    Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; oban.
    Precincts of Kameido Tenjin Shrine (Kameido Tenjin keidai), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1856Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Fuji from Ushibori, Province of Hitachi, by Katsushika Hokusai, 1760–1849
    Fuji from Ushibori, Province of HitachiKatsushika Hokusai, 1760–1849Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; chuban.
    Delaying the announcement of dawnSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; uchiwa-e.
    Iwai Kumesaburo II as the Courtesan Takao in Banzei Okuni KabukiUtagawa Kunisada, c. 1827Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Ichikawa Ebizo IV in the role of Takemura Sadanoshin, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
    Ichikawa Ebizo IV in the role of Takemura SadanoshinTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art
  2. Kametani Jujiro as the Shirabyoshi Dancer Yuya, by Torii Kiyomitsu, c. early 1760s
    Kametani Jujiro as the Shirabyoshi Dancer YuyaTorii Kiyomitsu, c. early 1760sCourtesy of the Cleveland Museum of Art
  3. A work made of color woodblock print; chuban.
    Giving a Light by the Garyubai Plum TreeSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A Picture of the Viewing in the Pleasure Quarters, by Kikukawa Eizan, 1810s
    A Picture of the Viewing in the Pleasure QuartersKikukawa Eizan, 1810sCourtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; ōban.
    Plum Garden at Kameido (Kameido Umeyashiki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. Xu You and Chao Fu, by Okumura Masanobu, 18th century
    Xu You and Chao FuOkumura Masanobu, 18th centuryCourtesy of The Metropolitan Museum of Art
  2. Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge, by Chôbunsai Eishi, c. 1792
    Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi BridgeChôbunsai Eishi, c. 1792Courtesy of the Cleveland Museum of Art