Floor plan

Style galleriesPrints of the 18th century

Prints of the 18th century

Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga", by Tōshūsai Sharaku, 1794
Passengers in a Ferry Boat on the Sumida River, by Torii Kiyonaga, 1784
The Shika Teahouse, by Utagawa Toyokuni, early 1790s
The Shika Teahouse, by Utagawa Toyokuni, early 1790s
Women Grating Radish for Sashimi, by Kitagawa Utamaro, ca. 1798–99
Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First Month, by Okumura Masanobu, ca. 1736–44

The works in this room are listed below.

Works in this room

Prints made in the 18th century, from every museum.

Section 1, north wall

  1. Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga", by Tōshūsai Sharaku, 1794
    Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga"Tōshūsai Sharaku, 1794Courtesy of The Metropolitan Museum of Art
  2. Passengers in a Ferry Boat on the Sumida River, by Torii Kiyonaga, 1784
    Passengers in a Ferry Boat on the Sumida RiverTorii Kiyonaga, 1784Courtesy of the Cleveland Museum of Art
  3. The Shika Teahouse, by Utagawa Toyokuni, early 1790s
    The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art

Section 1, south wall

  1. The Shika Teahouse, by Utagawa Toyokuni, early 1790s
    The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art
  2. Women Grating Radish for Sashimi, by Kitagawa Utamaro, ca. 1798–99
    Women Grating Radish for SashimiKitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art
  3. Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First Month, by Okumura Masanobu, ca. 1736–44
    Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First MonthOkumura Masanobu, ca. 1736–44Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. A work made of etching on ivory wove paper.
    Child with RosebudPhillip Otto Runge, n.d.Courtesy of the Art Institute of Chicago
  2. Boating Party on the Sumida River, by Torii Kiyonaga, 1789
    Boating Party on the Sumida RiverTorii Kiyonaga, 1789Courtesy of the Cleveland Museum of Art
  3. Lovers Walking in the Snow (Crow and Heron), by Suzuki Harunobu, 1764–72
    Lovers Walking in the Snow (Crow and Heron)Suzuki Harunobu, 1764–72Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami), by Kitagawa Utamaro, ca. 1798–99
    Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami)Kitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban triptych.
    Young man and his party crossing a stream before Mt. FujiKitagawa Utamaro, c. 1798/1800Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. This is a painting of animals in front of a ruined structure. The painting features a cat, a weasel, and a small rabbit gathered on a patch of grass. The cat has its paw over the rabbit, with the weasel observing. They are in front of an ancient stone structure surrounded by vegetation. In the background are trees against a sky. The foreground has detailed foliage and flowers.
    Le chat, la balette et le petit lapin (The Cat, the Weasel, and the Rabbit)Martin Marvie, published 1756Courtesy National Gallery of Art, Washington
  2. A work made of etching on ivory laid paper.
    View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of RomeGiovanni Battista Piranesi, 1769, published 1800–07Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge, by Chôbunsai Eishi, c. 1792
    Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi BridgeChôbunsai Eishi, c. 1792Courtesy of the Cleveland Museum of Art
  2. A work made of etching in black on ivory laid paper.
    Portrait of Le Roi MaratViller, c. 1795Courtesy of the Art Institute of Chicago
  3. “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
    “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art