Floor plan

Style galleriesThe Northern Renaissance

The Northern Renaissance

A work made of engraving on laid paper.
Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589
1901-39-151-a: DEER HUNT WITH HOUNDS [ABOVE]; SKYLARK HUNT WITH FALCONS [BELOW]; 1901-39-151-b: GOOSE AND DUCK HUNT WITH FALCONS [ABOVE RIGHT]; GOOSE HUNT [BELOW RIGHT]
A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639
The Seed Received among the Thorns, from the Parable of the Sower, by Gerard P. van Groningen, c. 1573
Three insects are depicted in the image: a butterfly with dark blue and red wings on the bottom left, a larger butterfly with white, black, and blue patterns at the top center, and a dragonfly with brown and gold tones on the bottom right. The color palette includes rich blues, reds, browns, and golds against a neutral background. The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.

The works in this room are listed below.

Works in this room

Dürer's prints, Holbein's portraits and the art of northern Europe in the 1500s.

Section 1, north wall

  1. A work made of engraving on laid paper.
    The Holy FamilyPieter de Jode, I, c. 1585-1595Courtesy of the Art Institute of Chicago
  2. Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589
    Ice skaters on the Amstel in AmsterdamHans Bol, 1589Courtesy of The Metropolitan Museum of Art
  3. 1901-39-151-a: DEER HUNT WITH HOUNDS [ABOVE]; SKYLARK HUNT WITH FALCONS [BELOW]; 1901-39-151-b: GOOSE AND DUCK HUNT WITH FALCONS [ABOVE RIGHT]; GOOSE HUNT [BELOW RIGHT]
    Goose and Duck Hunt with Falcons [above right]; Goose Hunt [below right]Jan van der Straet, called Stradanus, ca. 1596-99Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 1, south wall

  1. A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639
    A Mill with a Fortified Bridge, a Rowing Boat in the ForegroundRoelandt Savery, 1596–1639Courtesy of The Metropolitan Museum of Art
  2. The Seed Received among the Thorns, from the Parable of the Sower, by Gerard P. van Groningen, c. 1573
    The Seed Received among the Thorns, from the Parable of the SowerGerard P. van Groningen, c. 1573Courtesy of the Cleveland Museum of Art
  3. Three insects are depicted in the image: a butterfly with dark blue and red wings on the bottom left, a larger butterfly with white, black, and blue patterns at the top center, and a dragonfly with brown and gold tones on the bottom right. The color palette includes rich blues, reds, browns, and golds against a neutral background. The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.
    Plate 13: Yellow Swallowtail and Red Admiral Butterflies with a Dragonfly (Broad-Bodied Chaser?)Joris Hoefnagel, c.1575/1590sCourtesy National Gallery of Art, Washington

Section 2, south wall

  1. Adam and Eve, by Albrecht Dürer, 1504
    Adam and EveAlbrecht Dürer, 1504Courtesy of The Metropolitan Museum of Art
  2. Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430
    Leaf from a Book of Hours: The Nativity (recto) and Text (verso)Unrecorded French maker, c. 1430Courtesy of the Cleveland Museum of Art
  3. Portrait of Alain de Coëtivy (1407–1474), by Jean Fouquet, ca. 1451–55
    Portrait of Alain de Coëtivy (1407–1474)Jean Fouquet, ca. 1451–55Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Virgin and Child with Saint Anne, by Albrecht Dürer, probably 1519
    Virgin and Child with Saint AnneAlbrecht Dürer, probably 1519Courtesy of The Metropolitan Museum of Art
  2. The Raising of Lazarus, by Jacques Bellange, ca. 1606–8
    The Raising of LazarusJacques Bellange, ca. 1606–8Courtesy of The Metropolitan Museum of Art
  3. This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.
    Portrait of a ManCorneille de Lyon, c. 1536/1540Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. TWO GALLEYS AT SEA
    Two Galleys at SeaJan van der Straet, called Stradanus, ca. 1587 – 1590Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. Saint John on Patmos, by Hans Baldung (called Hans Baldung Grien), ca. 1511
    Saint John on PatmosHans Baldung (called Hans Baldung Grien), ca. 1511Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.
    Margarethe Vöhlin [obverse]Bernhard Strigel, 1527Courtesy National Gallery of Art, Washington
  2. Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, by Niccolò della Casa, 1544
    Portrait of Cosimo de' Medici in full armor, his left hand resting on a staffNiccolò della Casa, 1544Courtesy of The Metropolitan Museum of Art