Floor plan

Style galleriesManuscripts

Manuscripts

Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, by Nizami, dated 931 AH/1524–25 CE
Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025), 1444
"The Eavesdropper", Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja, by Maulana Azhar, ca. 1430

The works in this room are listed below.

Works in this room

Every one of the collection's manuscripts, in today's hang.

Section 1, north wall

  1. Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
    Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnrecorded Indian maker, 1602–4Courtesy of the Cleveland Museum of Art
  2. "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
    "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau DihlaviAmir Khusrau Dihlavi, 1597–98Courtesy of The Metropolitan Museum of Art
  3. "Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, by Nizami, dated 931 AH/1524–25 CE
    "Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of GanjaNizami, dated 931 AH/1524–25 CECourtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025), 1444
    Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025)Unrecorded Persian maker, 1444Courtesy of the Cleveland Museum of Art
  2. "The Eavesdropper", Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja, by Maulana Azhar, ca. 1430
    "The Eavesdropper", Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of GanjaMaulana Azhar, ca. 1430Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Folio from the "Tashkent Qur'an", late 8th–early 9th century
    Folio from the "Tashkent Qur'an"Unrecorded maker, late 8th–early 9th centuryCourtesy of The Metropolitan Museum of Art
  2. "The Elephant Clock", Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-Jazari, by Farrukh ibn `Abd al-Latif, dated 715 AH/1315 CE
    "The Elephant Clock", Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-JazariFarrukh ibn `Abd al-Latif, dated 715 AH/1315 CECourtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. "The Four Knights of Kai Khusrau in the Mountains", Folio from a Shahnama (Book of Kings), by Abu'l Qasim Firdausi, dated 741 AH/1341 CE
    "The Four Knights of Kai Khusrau in the Mountains", Folio from a Shahnama (Book of Kings)Abu'l Qasim Firdausi, dated 741 AH/1341 CECourtesy of The Metropolitan Museum of Art
  2. Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, by Muhammad ibn Badr al-Din Jajarmi, dated 741 AH/1340–41 CE
    Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of JajarmiMuhammad ibn Badr al-Din Jajarmi, dated 741 AH/1340–41 CECourtesy of The Metropolitan Museum of Art
  3. "Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album, by Chitarman, recto: dated 1627–28; verso: ca. 1530–50
    "Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan AlbumChitarman, recto: dated 1627–28; verso: ca. 1530–50Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. "The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds), by Habiballah of Sava, ca. 1600
    "The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)Habiballah of Sava, ca. 1600Courtesy of The Metropolitan Museum of Art
  2. "Laila and Majnun at School", Folio from a Khamsa (Quintet) of Nizami of Ganja, by Ja'far Baisunghuri, 835 AH/1431–32 CE
    "Laila and Majnun at School", Folio from a Khamsa (Quintet) of Nizami of GanjaJa'far Baisunghuri, 835 AH/1431–32 CECourtesy of The Metropolitan Museum of Art
  3. "Rosette Bearing the Names and Titles of Shah Jahan", Folio from the Shah Jahan Album, recto: ca. 1645; verso: ca. 1630–40
    "Rosette Bearing the Names and Titles of Shah Jahan", Folio from the Shah Jahan AlbumUnrecorded maker, recto: ca. 1645; verso: ca. 1630–40Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. "Portrait of Maharaja Bhim Kanwar", Folio from the Shah Jahan Album, by Nanha, verso: ca. 1615–29; recto: ca. 1540
    "Portrait of Maharaja Bhim Kanwar", Folio from the Shah Jahan AlbumNanha, verso: ca. 1615–29; recto: ca. 1540Courtesy of The Metropolitan Museum of Art
  2. Folio from a Qur'an Manuscript, by Ahmad ibn al-Suhrawardi al-Bakri, dated 707 AH/1307–8 CE
    Folio from a Qur'an ManuscriptAhmad ibn al-Suhrawardi al-Bakri, dated 707 AH/1307–8 CECourtesy of The Metropolitan Museum of Art
  3. "Gushtasp Slays the Rhino-Wolf", Folio from a Shahnama (Book of Kings), by Abu'l Qasim Firdausi, ca. 1330–40
    "Gushtasp Slays the Rhino-Wolf", Folio from a Shahnama (Book of Kings)Abu'l Qasim Firdausi, ca. 1330–40Courtesy of The Metropolitan Museum of Art