Floor plan

Style galleriesEarly modernism

Early modernism

THE TRIUMPH OF UNCLE SAM
Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.
My Day at Home, by William H. Howe, 1906
In the Desert, by H. Siddons Mowbray, 1915-1925
Head of a Young Girl, by Lucia Fairchild Fuller, ca. 1900
In the Cascade Mountains, by Edward Bruce, 1931

The works in this room are listed below.

Works in this room

The first decades of the twentieth century, when artists broke with the academy.

First room, north wall

  1. THE TRIUMPH OF UNCLE SAM
    The Triumph of Uncle SamVictor Wilbour, 1917Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.
    Fisherman's CottageHarald Oscar Sohlberg, 1906Courtesy of the Art Institute of Chicago
  3. My Day at Home, by William H. Howe, 1906
    My Day at HomeWilliam H. Howe, 1906Courtesy of the Smithsonian American Art Museum

First room, south wall

  1. In the Desert, by H. Siddons Mowbray, 1915-1925
    In the DesertH. Siddons Mowbray, 1915-1925Courtesy of the Smithsonian American Art Museum
  2. Head of a Young Girl, by Lucia Fairchild Fuller, ca. 1900
    Head of a Young GirlLucia Fairchild Fuller, ca. 1900Courtesy of the Smithsonian American Art Museum
  3. In the Cascade Mountains, by Edward Bruce, 1931
    In the Cascade MountainsEdward Bruce, 1931Courtesy of the Smithsonian American Art Museum

Second room, south wall

  1. This painting shows a large jug filled with orange flowers on a woven brown surface, with three small oranges placed in front of it. The bottom half of the jug is a brownish-red color, while the top part and handles are a light tan. The jug is centered, with flowers extending slightly to the sides. The flowers in the vase are surrounded by dark green leaves and buds. The wall behind the vase is a light gray color, and the vase casts a light shadow on it.
    Marigolds and TangerinesFélix Vallotton, 1924Courtesy National Gallery of Art, Washington
  2. Wrestlers in a Circus, by Ernst Ludwig Kirchner, 1909
    Wrestlers in a CircusErnst Ludwig Kirchner, 1909Courtesy of the Cleveland Museum of Art
  3. This is a painting showing two people in nature. The person on the left appears to be running towards the right, with one leg in the air and their arms outstretched. They have tan, golden-toned skin, blond hair, and golden fabric draped loosely around them, billowing backward as they run. On the right is a pale person standing upright in a tree, their arms outstretched. They appear intertwined with the tree, with their feet nestled in the light brown trunk and their head and hands covered in olive-green leaves. The background features indistinct brown shapes against a clear blue sky.
    Apollo and DaphneJohn Singer Sargent, c. 1916/1919Courtesy National Gallery of Art, Washington

Second room, north wall

  1. Mother and Child, by Gari Melchers, ca. 1920
    Mother and ChildGari Melchers, ca. 1920Courtesy of the Smithsonian American Art Museum
  2. This painting depicts a group of men and women created by a collection of angular, geometric shapes with flat planes and blocks of color. One person is standing, and they appear to be a bare-chested man with tan skin and short, dark hair, who is wearing red shorts. He has his hand on his hip and looks off to the right. At his feet appear to be several seated people, although they are only partially visible. Three women with pale skin seem to be facing away from us; we can see their legs, arms, and torsos, although these don't all fit together. The woman on the left has blonde hair, the woman on the right has brown hair, and the woman between them has short black hair. None of their faces are visible. In the middle of this group, at the center of the painting, we see the face and hand of another person who is looking to the left. This person has light brown skin, and we can't see the rest of their body. Surrounding elements include a blue sky with abstract cloud forms, an angular tree on the left, and patches of brown, white, and green on the ground, with one red flower. A tan rectangle under a red triangle on the right edge suggests a building.
    The BathersRoger de La Fresnaye, 1912Courtesy National Gallery of Art, Washington
  3. Church, Rancho de Taos, by Selden Connor Gile, 1931
    Church, Rancho de TaosSelden Connor Gile, 1931Courtesy of the Smithsonian American Art Museum
  4. This print depicts a grayscale desert landscape with a prominent saguaro cactus to the left. In the background, rocky mountains are visible in the darkness. The sky shows a crescent moon and a bright star through an opening in the soft gray clouds. Sparse desert vegetation is faintly visible on the ground, and more cacti can be seen in the distance.
    New Moon and Evening StarGeorge Elbert Burr, c. 1932Courtesy National Gallery of Art, Washington

Third room, north wall

  1. Eddyville, by Samuel Halpert, 1917
    EddyvilleSamuel Halpert, 1917Courtesy of the Cleveland Museum of Art
  2. Artist: Marion H. Beckett, Sitter: Theresa Helburn, Current owner: National Portrait Gallery, Smithsonian Institution
    Theresa HelburnMarion H. Beckett, 1922Courtesy of the National Portrait Gallery, Smithsonian Institution
  3. Large painting, standing man blue turtleneck, sitting woman with white collar.
    Jacques and Berthe LipchitzAmedeo Modigliani, 1916Courtesy of the Art Institute of Chicago