Floor plan

Style galleriesDrawings of the 19th century

Drawings of the 19th century

"ORCHSTRES PLACES AUX CHAMPS ELYSEES, DANS LE GRAN CARRES"
OTTER CLIFFS
GEORGE JAMES DRUMMOND'S ROOM AT OXFORD, 1853
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, by Eugène Delacroix, 1832
VIGNETTE: MAN CROUCHING ON A SCAFFOLDING
VIEW OF VENICE, ITALY

The works in this room are listed below.

Works in this room

Drawings made in the 19th century, from every museum.

Section 1, north wall

  1. "ORCHSTRES PLACES AUX CHAMPS ELYSEES, DANS LE GRAN CARRES"
    "Orchstres places aux Champs elysees, dans le gran carres"Félix Duban, 1833Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. OTTER CLIFFS
    Otter CliffsArnold William Brunner, 1879–80Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. GEORGE JAMES DRUMMOND'S ROOM AT OXFORD, 1853
    George James Drummond's Room at Oxford, 1853George Pyne, 1853Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 1, south wall

  1. Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, by Eugène Delacroix, 1832
    Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their DaughtersEugène Delacroix, 1832Courtesy of The Metropolitan Museum of Art
  2. VIGNETTE: MAN CROUCHING ON A SCAFFOLDING
    Vignette: Man Crouching on a ScaffoldingWalter Appleton Clark, 1899Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. VIEW OF VENICE, ITALY
    View of Venice, ItalyRobert Frederick Blum, 1880Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, south wall

  1. A VILLAGE SQUARE
    A Village SquareWalter Shirlaw, 1875–80Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. Bray Church Yard, by John Varley, 1807
    Bray Church YardJohn Varley, 1807Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. A FRENCH RESTORATION BEDROOM
    A French Restoration BedroomBouilhet, French, 1823Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. Loggia of the Ducal Palace, Venice, by John Ruskin, 1849–50
    Loggia of the Ducal Palace, VeniceJohn Ruskin, 1849–50Courtesy of The Metropolitan Museum of Art
  3. ITALIAN GIRL
    Italian girlElihu Vedder, ca. 1885Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 3, north wall

  1. God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), by Francisco Goya, ca. 1816–20
    God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Francisco Goya, ca. 1816–20Courtesy of The Metropolitan Museum of Art
  2. A Woman Seated at a Bench on the Avenue du Bois, by Berthe Morisot, 1885
    A Woman Seated at a Bench on the Avenue du BoisBerthe Morisot, 1885Courtesy of The Metropolitan Museum of Art
  3. Leaping Trout, by Winslow Homer, 1889
    Leaping TroutWinslow Homer, 1889Courtesy of the Cleveland Museum of Art

Section 3, south wall

  1. This painting shows a view looking out over a vast landscape. Most of the painting is circular, with a small part of the bottom bleeding out of the circle towards us. The top third of the circle shows a mountain range with a large purple peak in the distance. In front of the mountain is a faint rainbow. A body of water flows from in front of the mountain to the bottom of the painting, weaving in between shorter white peaks. Towards the bottom, the water appears to flow into small, layered pools of various bright colors including yellow, orange, red, pink, blue, and teal. The sky is a light blue-gray color. The background of the painting outside of the circle is plain paper.
    Minerva Terrace, YellowstoneThomas Moran, 1872Courtesy National Gallery of Art, Washington
  2. The image shows a man's head and part of his neck in profile view. The man is looking to the left, showcasing his facial features. He has a prominent nose, cheekbones, dark hair with hints of gray at the sides, and a white beard under his chin. He is wearing a gray collar that is partially visible. The background is a plain, muted brown color. There are no objects or jewelry visible in the image.
    Profile of a Man with SidewhiskersUnrecorded German maker, c. 1850Courtesy National Gallery of Art, Washington