Floor plan

West wing: Old MastersRenaissance

Renaissance

A work made of tempera on panel, transferred to canvas.
A work made of black chalk on laid paper, laid down on tan laid pulp board.
The Last Supper (pair), by Lucantonio degli Uberti, c. 1500
Madonna and Child in a Niche, by Antonio del Ceraiolo, c. 1520s
The Passion: Christ Before Annas, by Martin Schongauer, c. 1480
Holy Family with a Shepherd, by Battista Dossi, early 1520s
Virgin and Child with Saints, c. 1510
Portrait of an Old Man, by Giulio Campi, mid-1500s

The works in this room are listed below.

Works in this room

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

Section 1, north wall

  1. A work made of tempera on panel, transferred to canvas.
    The Baptism of ChristPerugino, 1500–05Courtesy of the Art Institute of Chicago
  2. A work made of black chalk on laid paper, laid down on tan laid pulp board.
    Study of a Standing Male NudeGiuseppe Cesari, called Cavaliere d'Arpino, 1595/96Courtesy of the Art Institute of Chicago
  3. The Last Supper (pair), by Lucantonio degli Uberti, c. 1500
    The Last Supper (pair)Lucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
  4. Madonna and Child in a Niche, by Antonio del Ceraiolo, c. 1520s
    Madonna and Child in a NicheAntonio del Ceraiolo, c. 1520sCourtesy of the Cleveland Museum of Art

Section 1, south wall

  1. The Passion: Christ Before Annas, by Martin Schongauer, c. 1480
    The Passion: Christ Before AnnasMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art
  2. Holy Family with a Shepherd, by Battista Dossi, early 1520s
    Holy Family with a ShepherdBattista Dossi, early 1520sCourtesy of the Cleveland Museum of Art
  3. Virgin and Child with Saints, c. 1510
    Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art
  4. Portrait of an Old Man, by Giulio Campi, mid-1500s
    Portrait of an Old ManGiulio Campi, mid-1500sCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.
    Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago
  2. Painting of Judith, naked, holding sword, with head of Holophernes.
    JudithJan Sanders van Hemessen, c. 1540Courtesy of the Art Institute of Chicago
  3. Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34
    Portrait of a Man, Possibly Girolamo RosatiLorenzo Lotto, 1533–34Courtesy of the Cleveland Museum of Art
  4. This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.
    Ornament in Hexagonal ShapeUnrecorded Italian maker, c. 1480/1510Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. View of Venice, by Jacopo de' Barbari, 1500
    View of VeniceJacopo de' Barbari, 1500Courtesy of the Cleveland Museum of Art
  2. A work made of oil on panel.
    Virgin and ChildHans Memling, c. 1485Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Portrait of a Couple, c. 1580–88
    Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art
  2. This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.
    Italian Joust of PeaceUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington