Floor plan

Time and placeThe 20th century

The 20th century

The image shows an antique double kerosene lamp with ornate glass chimneys set atop a horizontal cylindrical base with a central vertical support ending in a circular handle. The base and lamp parts have a bronze-like color with a textured appearance, and the glass chimneys are primarily clear but show hints of colorful reflections. Positioned centrally in the image, the lamp stands upright with the two chimneys equally spaced on either side of the vertical support, which is topped by a circular loop handle, while the signature "J. Cannella" is visible towards the lower right side of the image.
Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines. Her body faces us, and she looks out with pale blue eyes, the irises almost white. Her thin eyebrows slope down the sides and her small, dark peach lips are closed. Golden-orange hair is piled atop her head and a few bangs fall onto her high forehead. Black oval earrings hang from her lobes. Her shoulders also slope unnaturally down. Her mint-green shirt has a scooped neckline and elbow-length sleeves, and it appears to be tucked into a brown skirt or pants. The background is honey orange in the top left quadrant, amber brown in the lower left, and a russet brown door with windows across the top fills the right half. The artist signed the top right corner, “modigliani.”
A work made of oil on canvas.
The image depicts a young person standing upright with distinct facial features including rounded cheeks, a small mouth, and large eyes. They are wearing a brown dress with a cream-colored shawl, a bonnet with dark trim, and a pouch hanging from their left side. The background is plain and cream-colored.
Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting. The person’s clothing and features are outlined with thin black lines, and areas are filled in with mottled, streaked color painted with visible strokes. The person has a round face with a double chin and a small red mouth. The eyes are painted as slate-blue slivers under thin brows, one of which is cocked. The man’s short black hair is parted to one side and combed across the top of his head. He wears a white cravat tied at his neck under a rust-red jacket or shirt. Two rounded, muted blue forms below suggest crossed knees. The man’s right elbow rests next to his body, and that hand is near his lap. The background is painted with pecan brown on the left third and gray-blue on the right two-thirds.
The Old Orchard, by Arthur A. Marschner, 1915
Three Girls and River, by Louis M. Eilshemius, 1907
The image features a round, ornately decorated object resembling a shield with metallic-looking decorative hinges on its surface. The color palette is primarily earthy tones such as brown, red, and hints of gold. The object is centered in the image, viewed from the front, with engravings decorating its surface. The background is plain and light in color.

The works in this room are listed below.

Works in this room

Works made in the 20th century, anywhere in the world.

Section 1, north wall

  1. The image shows an antique double kerosene lamp with ornate glass chimneys set atop a horizontal cylindrical base with a central vertical support ending in a circular handle. The base and lamp parts have a bronze-like color with a textured appearance, and the glass chimneys are primarily clear but show hints of colorful reflections. Positioned centrally in the image, the lamp stands upright with the two chimneys equally spaced on either side of the vertical support, which is topped by a circular loop handle, while the signature "J. Cannella" is visible towards the lower right side of the image.
    Reading LampJoseph Cannella, 1941Courtesy National Gallery of Art, Washington
  2. Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines. Her body faces us, and she looks out with pale blue eyes, the irises almost white. Her thin eyebrows slope down the sides and her small, dark peach lips are closed. Golden-orange hair is piled atop her head and a few bangs fall onto her high forehead. Black oval earrings hang from her lobes. Her shoulders also slope unnaturally down. Her mint-green shirt has a scooped neckline and elbow-length sleeves, and it appears to be tucked into a brown skirt or pants. The background is honey orange in the top left quadrant, amber brown in the lower left, and a russet brown door with windows across the top fills the right half. The artist signed the top right corner, “modigliani.”
    Girl in a Green BlouseAmedeo Modigliani, 1917Courtesy National Gallery of Art, Washington
  3. A work made of oil on canvas.
    VétheuilClaude Monet, 1901Courtesy of the Art Institute of Chicago
  4. The image depicts a young person standing upright with distinct facial features including rounded cheeks, a small mouth, and large eyes. They are wearing a brown dress with a cream-colored shawl, a bonnet with dark trim, and a pouch hanging from their left side. The background is plain and cream-colored.
    Quaker DollJacob Gielens, 1935/1942Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting. The person’s clothing and features are outlined with thin black lines, and areas are filled in with mottled, streaked color painted with visible strokes. The person has a round face with a double chin and a small red mouth. The eyes are painted as slate-blue slivers under thin brows, one of which is cocked. The man’s short black hair is parted to one side and combed across the top of his head. He wears a white cravat tied at his neck under a rust-red jacket or shirt. Two rounded, muted blue forms below suggest crossed knees. The man’s right elbow rests next to his body, and that hand is near his lap. The background is painted with pecan brown on the left third and gray-blue on the right two-thirds.
    Monsieur DeleuAmedeo Modigliani, 1916Courtesy National Gallery of Art, Washington
  2. The Old Orchard, by Arthur A. Marschner, 1915
    The Old OrchardArthur A. Marschner, 1915Courtesy of the Smithsonian American Art Museum
  3. Three Girls and River, by Louis M. Eilshemius, 1907
    Three Girls and RiverLouis M. Eilshemius, 1907Courtesy of the Smithsonian American Art Museum
  4. The image features a round, ornately decorated object resembling a shield with metallic-looking decorative hinges on its surface. The color palette is primarily earthy tones such as brown, red, and hints of gold. The object is centered in the image, viewed from the front, with engravings decorating its surface. The background is plain and light in color.
    Baptismal FontWilliam Kieckhofel, c. 1941Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. Shown from the knees up, a woman sits partially covered by a black cloth as she holds one forearm across her bare breasts in this vertical painting. The woman has pale, yellow-tinged skin and long, copper-red hair and bangs. Her body faces us, but she turns her head to look off to our right with large blue, wide-set eyes. Her cheeks are flushed, and her full, dark pink lips are closed. A strand of gradually larger amber-yellow beads hangs around her neck, and she wears a gold-colored bracelet on the arm braced across her chest, her left arm, to our right. Glimpses of pale pink nipples are visible. The voluminous black cloth drapes down over one shoulder and across her hips. She wears a ring on the other hand, which emerges from the cloth to rest on that knee. Piles of garnet red, peridot green, and forest green are piled up to chest height behind her, and the background is nickel gray around her body and darkens to black around the top and side edges. The scene is loosely painted, especially in the fabric and background. The artist signed the canvas in the lower left corner, “Geo. Bellows E.S.B.”
    Nude with Red HairGeorge Bellows, 1920Courtesy National Gallery of Art, Washington
  2. The image shows an ornate chair with a high back, decorative carvings along its arms, legs, and backrest, a woven or cane seat and back, and intricate patterns. The chair is detailed with earthy brown tones and subtle shading accentuating the wood texture and design motifs. It is placed in the center of the image, facing slightly to the left, with linear guides indicating perspective and depth on a plain background.
    ArmchairAgnes Karlin, c. 1936Courtesy National Gallery of Art, Washington
  3. A brown tree branch with several thick, bifurcated limbs is central in the image. The background is a muted beige with aged discoloration marks. The branch is oriented horizontally, with its thicker end on the left and split limbs extending to the right. In the top left corner, there is a rectangular inset with a simplified line drawing of the branch's shape.
    BootjackLloyd A. Davidson, c. 1942Courtesy National Gallery of Art, Washington
  4. The Hills, by Preston Dickinson, ca. 1919
    The HillsPreston Dickinson, ca. 1919Courtesy of the Smithsonian American Art Museum

Section 2, north wall

  1. The image displays a full-body illustration of a person standing upright. They have a delicate and round face with rosy cheeks and small, pink lips. Their eyes are large and expressive, and they have light-colored hair peeking out from under a bonnet. The person's attire consists of a long, dark skirt and a light-colored shawl draped over their shoulders. They wear a hooded cloak tied with a bow at the neck, and hold a small bag in their left hand. The background is plain with a light-colored texture. The artwork is a painted illustration with visible fine lines and shading to enhance details of the clothing and facial features.
    Quaker DollBertha Semple, 1935/1942Courtesy National Gallery of Art, Washington
  2. Cornwall, by Kerr Eby, 1927
    CornwallKerr Eby, 1927Courtesy of the Smithsonian American Art Museum
  3. Waterfall, by Yoshida Hiroshi, 1924
    WaterfallYoshida Hiroshi, 1924Courtesy of the Cleveland Museum of Art
  4. This is a painting of a vintage fire hose cart. It is intricately designed, featuring a four-wheeled cart meant to hold a coiled fire hose. The painting showcases the cart's wooden spoked wheels and hose mechanism, as well as ornate wrought iron designs and a brass figure. A bell is depicted above one wheel. The painting captures the craftsmanship of the era and is reminiscent of the style of Charles Demuth, known for his attention to detail and focus on industrial and architectural elements.
    Fire Hose ReelHans Mangelsdorf, c. 1938Courtesy National Gallery of Art, Washington