Floor plan

Time and placeThe 19th century

The 19th century

STUDY OF FOLIAGE
The Parthenon, by Frederic Edwin Church, 1871
The Curious One, by Antoine Pierre Mongin, 1823
Bray Church Yard, by John Varley, 1807
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, by Henri de Toulouse-Lautrec, 1892
Descent into the Plain of Granada, by David Roberts, 1834
Hindu Merchants, by Edwin Lord Weeks, ca. 1885
France (furansukoku), by Utagawa Yoshitora, 2nd month, 1865

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. STUDY OF FOLIAGE
    Study of foliageWilliam Trost Richards, October 25, 1862Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. The Parthenon, by Frederic Edwin Church, 1871
    The ParthenonFrederic Edwin Church, 1871Courtesy of The Metropolitan Museum of Art
  3. The Curious One, by Antoine Pierre Mongin, 1823
    The Curious OneAntoine Pierre Mongin, 1823Courtesy of the Cleveland Museum of Art
  4. Bray Church Yard, by John Varley, 1807
    Bray Church YardJohn Varley, 1807Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, by Henri de Toulouse-Lautrec, 1892
    The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art
  2. Descent into the Plain of Granada, by David Roberts, 1834
    Descent into the Plain of GranadaDavid Roberts, 1834Courtesy of the Cleveland Museum of Art
  3. Hindu Merchants, by Edwin Lord Weeks, ca. 1885
    Hindu MerchantsEdwin Lord Weeks, ca. 1885Courtesy of the Smithsonian American Art Museum
  4. France (furansukoku), by Utagawa Yoshitora, 2nd month, 1865
    France (furansukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Artist: Robert Bolling Brandegee, Sitter: Sarah Porter, Current owner: National Portrait Gallery, Smithsonian Institution
    Sarah PorterRobert Bolling Brandegee, 1896Courtesy of the National Portrait Gallery, Smithsonian Institution
  2. A work made of photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper.
    Modern MasksFélicien Rops, 1889Courtesy of the Art Institute of Chicago
  3. Untitled (Autumn Leaf), by Mary Vaux Walcott, 1872
    Untitled (Autumn Leaf)Mary Vaux Walcott, 1872Courtesy of the Smithsonian American Art Museum
  4. Two Young Girls at the Piano, by Pierre-Auguste Renoir, 1892
    Two Young Girls at the PianoPierre-Auguste Renoir, 1892Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Untitled (landscape with rocks), by Edward Mitchell Bannister, 1898
    Untitled (landscape with rocks)Edward Mitchell Bannister, 1898Courtesy of the Smithsonian American Art Museum
  2. A work made of woodblock print, ink and colors on paper.
    Kanagawa in Musashi Province: Distant View of Yokohama (Yokohama enbo), from the series Calligraphy and Pictures for the Fifty-three Stations of the Tokaido (Shoga gojusan eki)Utagawa Yoshimori, 1982Courtesy of the Art Institute of Chicago
  3. A work made of etching, aquatint, drypoint and burin on ivory laid paper.
    Pedro Romero killing the halted bull, plate 30 from The Art of BullfightingFrancisco Goya, 1814/16, published 1816Courtesy of the Art Institute of Chicago
  4. Edward Guthrie Kennedy, by William Merritt Chase, ca. 1895
    Edward Guthrie KennedyWilliam Merritt Chase, ca. 1895Courtesy of The Metropolitan Museum of Art