Floor plan

Time and placeThe 19th century

The 19th century

This painting shows a pastoral setting with a large white-and-gray house on a hill to the left. Distant people stand in front of the house, along with a horse-drawn wagon. In the bottom right corner, two people sit in the grass under a tree, one dressed in red holding a tall crook and the other wearing a black garment and a yellow hat and petting a large brown-and-white dog. There is a basket on the ground between them, and next to them is a large herd of cows and sheep, all resting on the grass. The landscape includes trees with green leaves and yellow hills in the distance. The sky above is in pastel shades of pink and blue, with fluffy clouds. In the bottom left, a patch of yellow ground has several lines of text written over it.
A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.
A work made of oil on canvas.
A Woman Seated at a Bench on the Avenue du Bois, by Berthe Morisot, 1885
Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait. She has dark brown eyes, a straight nose, smooth skin, and her pink lips are closed. Curls fall across her forehead but the rest of her hair is pulled up under a white lace scarf, called a mantilla. The mantilla is tucked under the wide orange and black shawl wrapped around her shoulders. She clasps her hands at her waist, and her hands and forearms are covered with long white gloves that disappear under the shawl.
Artist: John Wesley Jarvis, Sitter: Joseph Delaplaine, Current owner: National Portrait Gallery, Smithsonian Institution
THE ARTIST'S WIFE SOPHIE
Saint in Red Cloak, late 19th - early 20th century

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. This painting shows a pastoral setting with a large white-and-gray house on a hill to the left. Distant people stand in front of the house, along with a horse-drawn wagon. In the bottom right corner, two people sit in the grass under a tree, one dressed in red holding a tall crook and the other wearing a black garment and a yellow hat and petting a large brown-and-white dog. There is a basket on the ground between them, and next to them is a large herd of cows and sheep, all resting on the grass. The landscape includes trees with green leaves and yellow hills in the distance. The sky above is in pastel shades of pink and blue, with fluffy clouds. In the bottom left, a patch of yellow ground has several lines of text written over it.
    The Grave of William PennEdward Hicks, c. 1847/1848Courtesy National Gallery of Art, Washington
  2. A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.
    "As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly MagazineFrederic Remington, n.d.Courtesy of the Art Institute of Chicago
  3. A work made of oil on canvas.
    Prancing HorseFollower of Jean Louis André Théodore Géricault, 1808–12Courtesy of the Art Institute of Chicago
  4. A Woman Seated at a Bench on the Avenue du Bois, by Berthe Morisot, 1885
    A Woman Seated at a Bench on the Avenue du BoisBerthe Morisot, 1885Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait. She has dark brown eyes, a straight nose, smooth skin, and her pink lips are closed. Curls fall across her forehead but the rest of her hair is pulled up under a white lace scarf, called a mantilla. The mantilla is tucked under the wide orange and black shawl wrapped around her shoulders. She clasps her hands at her waist, and her hands and forearms are covered with long white gloves that disappear under the shawl.
    Señora Sabasa GarciaFrancisco Goya, c. 1806/1811Courtesy National Gallery of Art, Washington
  2. Artist: John Wesley Jarvis, Sitter: Joseph Delaplaine, Current owner: National Portrait Gallery, Smithsonian Institution
    Joseph DelaplaineJohn Wesley Jarvis, January 1819Courtesy of the National Portrait Gallery, Smithsonian Institution
  3. THE ARTIST'S WIFE SOPHIE
    The Artist's Wife SophieDaniel Huntington, 1853Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. Saint in Red Cloak, late 19th - early 20th century
    Saint in Red CloakUnrecorded Italian maker, late 19th - early 20th centuryCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Orchids and Rocks, by Yi Ha-eung, 1897–98
    Orchids and RocksYi Ha-eung, 1897–98Courtesy of the Cleveland Museum of Art
  2. Loosely painted image of an open-air train station. On the right, a parked train gives off an enormous plumb of white smoke, making the scene look as though it were full of clouds. A huddled mass of barely discernible people crowd around the train on both sides of the tracks. Blue, green, and gray tones dominate.
    Arrival of the Normandy Train, Gare Saint-LazareClaude Monet, 1877Courtesy of the Art Institute of Chicago
  3. We Both Must Fade (Mrs. Fithian), by Lilly Martin Spencer, 1869
    We Both Must Fade (Mrs. Fithian)Lilly Martin Spencer, 1869Courtesy of the Smithsonian American Art Museum

Section 2, north wall

  1. Kanō, from the series Sixty-nine Stations of the Kisokaidō, by Utagawa Hiroshige, c. 1835–37
    Kanō, from the series Sixty-nine Stations of the KisokaidōUtagawa Hiroshige, c. 1835–37Courtesy of the Cleveland Museum of Art
  2. Oedipus and the Sphinx, by Gustave Moreau, 1864
    Oedipus and the SphinxGustave Moreau, 1864Courtesy of The Metropolitan Museum of Art
  3. A VILLAGE SQUARE
    A Village SquareWalter Shirlaw, 1875–80Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 3, north wall

  1. The Yacht America, by Charles S. Raleigh, 1877
    The Yacht AmericaCharles S. Raleigh, 1877Courtesy of the Smithsonian American Art Museum
  2. Portrait of Don Juan Antonio Cuervo, by Francisco Goya, 1819
    Portrait of Don Juan Antonio CuervoFrancisco Goya, 1819Courtesy of the Cleveland Museum of Art