Floor plan

Time and placeThe 19th century

The 19th century

A work made of drypoint with light plate tone on thin ivory japanese paper.
A work made of watercolor on paper watermarked j. whatman with pencil, pen, ink and gold.
John Gadsby, Jr., by Anson Dickinson, ca. 1829
STUDY FOR "SCIENTIFIC GROUP"
Fur Traders Descending the Missouri, by George Caleb Bingham, 1845
Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō, by Utagawa Hiroshige, c. 1848–50
The image shows a scene from a slightly elevated point of view. The horizon is low, highlighting the vast sky above. On the right, there are buildings surrounded by trees. In the center, there is a tall monument with a small structure at its base, slightly to the left. To the right of the monument, a person is standing. The drawing features detailed linework and delicate shading for the sky. The color palette is monochromatic with shades of gray. Rocks and grass in the foreground lead towards the monument and buildings in the distance.
Major Thomas Biddle, by Thomas Wilcocks Sully, 1832

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. A work made of drypoint with light plate tone on thin ivory japanese paper.
    Whistler with a HatJames McNeill Whistler, 1859Courtesy of the Art Institute of Chicago
  2. A work made of watercolor on paper watermarked j. whatman with pencil, pen, ink and gold.
    I'timad-ud-Daula's Tomb at AgraUnrecorded Indian maker, c. 1820Courtesy of the Art Institute of Chicago
  3. John Gadsby, Jr., by Anson Dickinson, ca. 1829
    John Gadsby, Jr.Anson Dickinson, ca. 1829Courtesy of the Smithsonian American Art Museum
  4. STUDY FOR "SCIENTIFIC GROUP"
    Study for "Scientific Group"Daniel Huntington, 1858Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 1, south wall

  1. Fur Traders Descending the Missouri, by George Caleb Bingham, 1845
    Fur Traders Descending the MissouriGeorge Caleb Bingham, 1845Courtesy of The Metropolitan Museum of Art
  2. Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō, by Utagawa Hiroshige, c. 1848–50
    Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the TōkaidōUtagawa Hiroshige, c. 1848–50Courtesy of the Cleveland Museum of Art
  3. The image shows a scene from a slightly elevated point of view. The horizon is low, highlighting the vast sky above. On the right, there are buildings surrounded by trees. In the center, there is a tall monument with a small structure at its base, slightly to the left. To the right of the monument, a person is standing. The drawing features detailed linework and delicate shading for the sky. The color palette is monochromatic with shades of gray. Rocks and grass in the foreground lead towards the monument and buildings in the distance.
    Groton MonumentJ.R. Butts, c. 1830-1840Courtesy National Gallery of Art, Washington
  4. Major Thomas Biddle, by Thomas Wilcocks Sully, 1832
    Major Thomas BiddleThomas Wilcocks Sully, 1832Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. Mrs. Mayer and Daughter, by Ammi Phillips, 1835–40
    Mrs. Mayer and DaughterAmmi Phillips, 1835–40Courtesy of The Metropolitan Museum of Art
  2. Portrait of Ōzora Buzaemon, by Watanabe Kazan, 1827
    Portrait of Ōzora BuzaemonWatanabe Kazan, 1827Courtesy of the Cleveland Museum of Art
  3. Artist: Chester Harding, Sitter: Loammi Baldwin, Jr., Current owner: National Portrait Gallery, Smithsonian Institution
    Loammi BaldwinChester Harding, 1823Courtesy of the National Portrait Gallery, Smithsonian Institution

Section 2, north wall

  1. Foreign Business Establishment in Yokohama (Yokohama ijin shōkan shashin no zu), by Utagawa (Gountei) Sadahide, 1861
    Foreign Business Establishment in Yokohama (Yokohama ijin shōkan shashin no zu)Utagawa (Gountei) Sadahide, 1861Courtesy of The Metropolitan Museum of Art
  2. Still-life painting, fish, open oysters, eel, lemon on tablecloth.
    Fish (Still Life)Édouard Manet, 1864Courtesy of the Art Institute of Chicago
  3. A work made of photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper.
    Modern MasksFélicien Rops, 1889Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A work made of oil on canvas.
    Sawmill, Outskirts of ParisHenri Rousseau, c. 1893/95Courtesy of the Art Institute of Chicago
  2. The Witch's Daughter, by Frederick Stuart Church, 1881
    The Witch's DaughterFrederick Stuart Church, 1881Courtesy of the Smithsonian American Art Museum