Floor plan

Time and place19th-century Japan

19th-century Japan

A work made of color woodblock print; uchiwa-e.
Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo", by Utagawa Hiroshige, 1856
A work made of color woodblock print; oban triptych.
A work made of hanging scroll; ink and color on paper.

The works in this room are listed below.

Works in this room

Works made in Japan in the 19th century.

Section 1, north wall

  1. A work made of color woodblock print; uchiwa-e.
    Morning Glories, Pinks, and Maiden Flower, from the series "Seven Autumn Flowers in Moonlight"Utagawa Hiroshige, 1830/44Courtesy of the Art Institute of Chicago
  2. Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo", by Utagawa Hiroshige, 1856
    Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo"Utagawa Hiroshige, 1856Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A work made of color woodblock print; oban triptych.
    Eight Modern Views of Famous Places in Tokyo of Great Japan (Dai Nippon Tokyo kaika meisho hakkei no zu)Utagawa Kunisada II (Kunimasa III, Toyokuni IV), 1875Courtesy of the Art Institute of Chicago
  2. A work made of hanging scroll; ink and color on paper.
    Hibiscus and MagpiesBaiitsu Yamamoto, 1847Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Tobacco Pouch and Pipe, by Kubo Shunman, 1813
    Tobacco Pouch and PipeKubo Shunman, 1813Courtesy of The Metropolitan Museum of Art
  2. Painting Five from Album of Paintings by Haizan, by Yoshitsugu Haizan, late 1800s–early 1900s
    Painting Five from Album of Paintings by HaizanYoshitsugu Haizan, late 1800s–early 1900sCourtesy of the Cleveland Museum of Art
  3. A work made of color woodblock print; ōban.
    Plum Garden at Kameido (Kameido Umeyashiki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no Funabashi, by Shunkōsai Hokushū, 1822
    Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no FunabashiShunkōsai Hokushū, 1822Courtesy of The Metropolitan Museum of Art
  2. A work made of hanging scroll; ink on silk.
    Trees in the Clouds on Layered Mountains (Jûzan umbokuzu)Nakabayashi Chikutô, 1853Courtesy of the Art Institute of Chicago
  3. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art

Section 3, north wall

  1. A work made of color woodblock print; ōban.
    Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"Katsushika Hokusai, About 1833Courtesy of the Art Institute of Chicago
  2. “America”: Enjoying Hot Air Balloons, by Utagawa Yoshitora, 1867
    “America”: Enjoying Hot Air BalloonsUtagawa Yoshitora, 1867Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. A work made of hanging scroll; ink and colors on silk.
    Frost fills the air and the autumn air is still/lines of returning geese cross the moon in the third hour-Kenshin, from the series Twelve Aspects of the MoonTsukioka Yoshitoshi, 1885/92Courtesy of the Art Institute of Chicago
  2. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art

Section 4, south wall

  1. A work made of color woodblock print, oban triptych.
    Sei Shonagon, from the series Ancient Patterns (Kodai moyo)Kobayashi Kiyochika, Meiji period (1896–1912), 1896Courtesy of the Art Institute of Chicago
  2. Vehicles on the Streets of Tokyo, by Utagawa Yoshitora, 1870
    Vehicles on the Streets of TokyoUtagawa Yoshitora, 1870Courtesy of The Metropolitan Museum of Art