Floor plan

Time and place19th-century France

19th-century France

A work made of black crayon and charcoal, on ivory laid paper.
A work made of transfer lithograph in black on gray china paper.
Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.
A Woman Seated at a Bench on the Avenue du Bois, by Berthe Morisot, 1885
A work made of oil on canvas.
A work made of graphite on cream laid paper (pieced).
Romaine Lacaux, by Pierre-Auguste Renoir, 1864
Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.

The works in this room are listed below.

Works in this room

Works made in France in the 19th century.

First room, north wall

  1. A work made of black crayon and charcoal, on ivory laid paper.
    Three GossipsHonoré Daumier, 1865/1867Courtesy of the Art Institute of Chicago
  2. A work made of transfer lithograph in black on gray china paper.
    Under the Lamp ("Once upon a midnight dreary..."), from The Raven (Le Corbeau)Édouard Manet, 1875Courtesy of the Art Institute of Chicago
  3. Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.
    At the Moulin RougeHenri de Toulouse-Lautrec, 1892–95Courtesy of the Art Institute of Chicago
  4. A Woman Seated at a Bench on the Avenue du Bois, by Berthe Morisot, 1885
    A Woman Seated at a Bench on the Avenue du BoisBerthe Morisot, 1885Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. A work made of oil on canvas.
    Dans la TranchéeEtienne Prosper Berne-Bellecour, c. 1875Courtesy of the Art Institute of Chicago
  2. A work made of graphite on cream laid paper (pieced).
    Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago
  3. Romaine Lacaux, by Pierre-Auguste Renoir, 1864
    Romaine LacauxPierre-Auguste Renoir, 1864Courtesy of the Cleveland Museum of Art
  4. Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.
    Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago

Second room, south wall

  1. Haystacks: Autumn, by Jean-François Millet, ca. 1874
    Haystacks: AutumnJean-François Millet, ca. 1874Courtesy of The Metropolitan Museum of Art
  2. The Lovers, by James Tissot, 1872
    The LoversJames Tissot, 1872Courtesy of the Cleveland Museum of Art
  3. A work made of oil on canvas.
    Fruits of the MidiPierre-Auguste Renoir, 1881Courtesy of the Art Institute of Chicago

Second room, north wall

  1. The Large Tree, by Paul Gauguin, 1891
    The Large TreePaul Gauguin, 1891Courtesy of the Cleveland Museum of Art
  2. The Petit Pont, by Charles Meryon, 1850
    The Petit PontCharles Meryon, 1850Courtesy of the Cleveland Museum of Art
  3. On the Beach, Sunset, by Eugène Boudin, 1865
    On the Beach, SunsetEugène Boudin, 1865Courtesy of The Metropolitan Museum of Art

Third room, north wall

  1. A work made of oil on canvas.
    The Place du Havre, ParisCamille Pissarro, 1893Courtesy of the Art Institute of Chicago
  2. A work made of oil on vellum.
    At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago