Floor plan

Time and place17th-century Italy

17th-century Italy

This is a drawing of mythical sea creatures in a marine landscape. The central figures are depicted as mythical beings, possibly mermen, with human torsos and fish-like tails, partially submerged in water. One figure prominently holds a large seashell with text written on it. Around them are various other marine creatures and features such as a distant rocky shore, birds flying in the sky, and waves creating a dynamic setting. The drawing is detailed in line work.
A work made of etching on ivory laid paper.
A work made of etching in black on cream laid paper.
A work made of pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard.
Samson Captured by the Philistines, by Guercino (Giovanni Francesco Barbieri), 1619
Adoration of the Magi, by Guido Reni, 1642

The works in this room are listed below.

Works in this room

Works made in Italy in the 17th century.

First room, north wall

  1. This is a drawing of mythical sea creatures in a marine landscape. The central figures are depicted as mythical beings, possibly mermen, with human torsos and fish-like tails, partially submerged in water. One figure prominently holds a large seashell with text written on it. Around them are various other marine creatures and features such as a distant rocky shore, birds flying in the sky, and waves creating a dynamic setting. The drawing is detailed in line work.
    Title Page for "Ornamenti di fregi e fogliani"Stefano della Bella, probably 1648Courtesy National Gallery of Art, Washington
  2. A work made of etching on ivory laid paper.
    The Grotto of Pan and FameStefano della Bella, 1653/55Courtesy of the Art Institute of Chicago
  3. A work made of etching in black on cream laid paper.
    Soldier in Profile Holding a Pike, from Capricci e habiti militariFilippo Napoletano, 1610/29Courtesy of the Art Institute of Chicago
  4. A work made of pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard.
    Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin VBenedetto Luti, 1700Courtesy of the Art Institute of Chicago

First room, south wall

  1. Samson Captured by the Philistines, by Guercino (Giovanni Francesco Barbieri), 1619
    Samson Captured by the PhilistinesGuercino (Giovanni Francesco Barbieri), 1619Courtesy of The Metropolitan Museum of Art
  2. Adoration of the Magi, by Guido Reni, 1642
    Adoration of the MagiGuido Reni, 1642Courtesy of the Cleveland Museum of Art

Second room, south wall

  1. A work made of oil on canvas.
    Adam and Eve in ParadiseFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago
  2. Drawing of god, radiating light, reaching down from clouds, touching male figure.
    The Creation of AdamGiovanni Benedetto Castiglione, c. 1645/50Courtesy of the Art Institute of Chicago
  3. Large painting of cupid being whipped, a woman tries to hold back the a man in red dress.
    Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago

Second room, north wall

  1. A work made of oil on canvas.
    Portrait of a GirlFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago
  2. The Genius of Castiglione, by Giovanni Benedetto Castiglione, ca. 1645–47 (published 1648)
    The Genius of CastiglioneGiovanni Benedetto Castiglione, ca. 1645–47 (published 1648)Courtesy of The Metropolitan Museum of Art
  3. A work made of etching in black on tan laid paper.
    The Holy FamilyGiulio Cesare Procaccini, 1613/15Courtesy of the Art Institute of Chicago
  4. A work made of oil on canvas.
    Jacopo ButeraFrancesco Solimena, c. 1695Courtesy of the Art Institute of Chicago

Third room, north wall

  1. A work made of black chalk with pen and brown ink on cream laid paper.
    Putto Holding StaffGuido Reni, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of pen and brown ink and brush and brown wash, over graphite, on cream laid paper laid down on off-white laid paper.
    Antique Carved Marble Candelabra BaseAndrea di Lione, 1642/44 or 1647/51Courtesy of the Art Institute of Chicago
  3. A work made of etching on ivory laid paper.
    Equestrian Ballet in the Amphitheater of the Boboli GardensStefano della Bella, 1661Courtesy of the Art Institute of Chicago