Floor plan

Time and place17th-century Italy

17th-century Italy

Lodovico Widmann, by Tiberio Tinelli, probably 1637
A work made of etching in black ink on cream laid paper.
A work made of pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard.
The image shows a drawing of three figures. The central figure is seated, leaning slightly forward with one arm outstretched towards the standing figures. They have short, slightly messy hair, traditional clothing, and muscular limbs. The standing figures on the right are partially obscured but appear to interact with the seated figure. One of them is extending their arm towards the seated figure. The individuals wear layered clothing, with one wearing a head covering. The background is simple, emphasizing the interaction between the figures. The drawing style is classical or historical, using ink and wash for texture and depth.
A work made of etching in black on cream laid paper.

The works in this room are listed below.

Works in this room

Works made in Italy in the 17th century.

Section 1, north wall

  1. Lodovico Widmann, by Tiberio Tinelli, probably 1637
    Lodovico WidmannTiberio Tinelli, probably 1637Courtesy National Gallery of Art, Washington
  2. A work made of etching in black ink on cream laid paper.
    A Young Woman Holding a CushionMonogrammist VCP, 1643Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard.
    Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin VBenedetto Luti, 1700Courtesy of the Art Institute of Chicago
  2. The image shows a drawing of three figures. The central figure is seated, leaning slightly forward with one arm outstretched towards the standing figures. They have short, slightly messy hair, traditional clothing, and muscular limbs. The standing figures on the right are partially obscured but appear to interact with the seated figure. One of them is extending their arm towards the seated figure. The individuals wear layered clothing, with one wearing a head covering. The background is simple, emphasizing the interaction between the figures. The drawing style is classical or historical, using ink and wash for texture and depth.
    Youth Sitting on a Wall in Conversation with Two MenSalvator Rosa, c. 1656/1657Courtesy National Gallery of Art, Washington
  3. A work made of etching in black on cream laid paper.
    Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)Jacopo Palma il Giovane, c. 1611Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Drawing of god, radiating light, reaching down from clouds, touching male figure.
    The Creation of AdamGiovanni Benedetto Castiglione, c. 1645/50Courtesy of the Art Institute of Chicago
  2. A work made of pen and brown ink and brush and brown wash, over graphite, on cream laid paper laid down on off-white laid paper.
    Antique Carved Marble Candelabra BaseAndrea di Lione, 1642/44 or 1647/51Courtesy of the Art Institute of Chicago
  3. A work made of etching in black on cream laid paper.
    Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. This is a drawing of mythical sea creatures in a marine landscape. The central figures are depicted as mythical beings, possibly mermen, with human torsos and fish-like tails, partially submerged in water. One figure prominently holds a large seashell with text written on it. Around them are various other marine creatures and features such as a distant rocky shore, birds flying in the sky, and waves creating a dynamic setting. The drawing is detailed in line work.
    Title Page for "Ornamenti di fregi e fogliani"Stefano della Bella, probably 1648Courtesy National Gallery of Art, Washington
  2. Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome), by Giovanni Battista Gaulli, c. 1675–1677
    Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome)Giovanni Battista Gaulli, c. 1675–1677Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. A work made of etching on ivory laid paper.
    The Grotto of Pan and FameStefano della Bella, 1653/55Courtesy of the Art Institute of Chicago
  2. The artwork depicts four human figures, two males and two females, seated. One woman holds a baby, while one man holds a young child. The figures have different hairstyles and clothing, sitting in a natural setting with trees and hills in the background. The scene is drawn in a sketch-like style, focusing on lines and expressions.
    The Holy FamilySimone CantariniCourtesy National Gallery of Art, Washington

Section 3, south wall

  1. Adoration of the Magi, by Guido Reni, 1642
    Adoration of the MagiGuido Reni, 1642Courtesy of the Cleveland Museum of Art
  2. A work made of black chalk with pen and brown ink on cream laid paper.
    Putto Holding StaffGuido Reni, n.d.Courtesy of the Art Institute of Chicago

Section 4, south wall

  1. The Genius of Castiglione, by Giovanni Benedetto Castiglione, ca. 1645–47 (published 1648)
    The Genius of CastiglioneGiovanni Benedetto Castiglione, ca. 1645–47 (published 1648)Courtesy of The Metropolitan Museum of Art
  2. A work made of pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper.
    The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso)Pietro Antonio di Pietri, 1690/1710Courtesy of the Art Institute of Chicago