Floor plan

Time and placeThe 16th century

The 16th century

Painting of Judith, naked, holding sword, with head of Holophernes.
Standing Officer Holding a Boar's Spear, by Hendrick Goltzius, 1586
"Bahram Gur Pins the Coupling Onagers", Folio 568r from the Shahnama (Book of Kings) of Shah Tahmasp, by Abu'l Qasim Firdausi, ca. 1530–35
"Shah Jahan on Horseback", Folio from the Shah Jahan Album, by Payag, verso: ca. 1630; recto: ca. 1530–50
"A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
A work made of engraving in black on cream laid paper.

The works in this room are listed below.

Works in this room

Works made in the 16th century, anywhere in the world.

First room, north wall

  1. Painting of Judith, naked, holding sword, with head of Holophernes.
    JudithJan Sanders van Hemessen, c. 1540Courtesy of the Art Institute of Chicago
  2. Standing Officer Holding a Boar's Spear, by Hendrick Goltzius, 1586
    Standing Officer Holding a Boar's SpearHendrick Goltzius, 1586Courtesy of the Cleveland Museum of Art
  3. "Bahram Gur Pins the Coupling Onagers", Folio 568r from the Shahnama (Book of Kings) of Shah Tahmasp, by Abu'l Qasim Firdausi, ca. 1530–35
    "Bahram Gur Pins the Coupling Onagers", Folio 568r from the Shahnama (Book of Kings) of Shah TahmaspAbu'l Qasim Firdausi, ca. 1530–35Courtesy of The Metropolitan Museum of Art
  4. "Shah Jahan on Horseback", Folio from the Shah Jahan Album, by Payag, verso: ca. 1630; recto: ca. 1530–50
    "Shah Jahan on Horseback", Folio from the Shah Jahan AlbumPayag, verso: ca. 1630; recto: ca. 1530–50Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. "A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
    "A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau DihlaviAmir Khusrau Dihlavi, 1597–98Courtesy of The Metropolitan Museum of Art
  2. "Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
    "Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau DihlaviAmir Khusrau Dihlavi, 1597–98Courtesy of The Metropolitan Museum of Art
  3. A work made of engraving in black on cream laid paper.
    The Academy of Baccio BandinelliEnea Vico, 1544/50, printed c. 1560sCourtesy of the Art Institute of Chicago

Second room, south wall

  1. The Holy Family with the Young Saint John the Baptist, by Andrea del Sarto, ca. 1528
    The Holy Family with the Young Saint John the BaptistAndrea del Sarto, ca. 1528Courtesy of The Metropolitan Museum of Art
  2. Hercules chasing Avarice from the Temple of the Muses, by Ugo da Carpi, ca. 1520–27
    Hercules chasing Avarice from the Temple of the MusesUgo da Carpi, ca. 1520–27Courtesy of The Metropolitan Museum of Art
  3. TWO GALLEYS AT SEA
    Two Galleys at SeaJan van der Straet, called Stradanus, ca. 1587 – 1590Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. Saint Jerome as Scholar, by El Greco, ca. 1610
    Saint Jerome as ScholarEl Greco, ca. 1610Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. The Dead Christ with Angels, by Leandro Bassano, c. 1580
    The Dead Christ with AngelsLeandro Bassano, c. 1580Courtesy of the Cleveland Museum of Art
  2. A work made of engraving on paper.
    Title page, from The Seven VicesHieronymous Wierix, c. 1598Courtesy of the Art Institute of Chicago
  3. The image shows a pattern of vertical and horizontal wooden bars forming a grid-like design. In the center, there is a rectangular panel with a decorative emblem against a red background. The emblem features swirling shapes. The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.
    Margarethe Vöhlin [reverse]Bernhard Strigel, 1527Courtesy National Gallery of Art, Washington

Third room, north wall

  1. Diana and Actaeon, by Bartholomeus Spranger, ca. 1580–85
    Diana and ActaeonBartholomeus Spranger, ca. 1580–85Courtesy of The Metropolitan Museum of Art
  2. Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600
    Saint John the Baptist Bearing WitnessAnnibale Carracci, ca. 1600Courtesy of The Metropolitan Museum of Art