Floor plan

Artist galleriesUnrecorded makers

Unrecorded makers

The painting depicts three adults and a child. The central adult, a woman, holds the child securely to her chest. The woman has pale skin and a white cloth covering her head, and she is wearing a dark cloak over a red robe. The child has curly light brown hair and is unclothed, looking towards the left. A bald man with a white beard, wearing a red garment and holding a key is on the left. On the right, another woman wears a white headscarf and a dark garment, holding a red cross. The background is dark, highlighting the people and their attire. All four of them have thin halos around their heads.
Mandala of the Three Shrines at Kumano, 1300s
Portrait of a Boy, ca. 1800
Emperor Xuanzong's flight to Shu, mid-12th century
Portrait of Roberto Castiglione, early 1600s
Lord Rothes, 1768

The works in this room are listed below.

Works in this room

Works whose makers the museums don't name.

First room, north wall

  1. The painting depicts three adults and a child. The central adult, a woman, holds the child securely to her chest. The woman has pale skin and a white cloth covering her head, and she is wearing a dark cloak over a red robe. The child has curly light brown hair and is unclothed, looking towards the left. A bald man with a white beard, wearing a red garment and holding a key is on the left. On the right, another woman wears a white headscarf and a dark garment, holding a red cross. The background is dark, highlighting the people and their attire. All four of them have thin halos around their heads.
    Madonna and Child with SaintsUnrecorded maker, c. 1490/1500Courtesy National Gallery of Art, Washington
  2. Mandala of the Three Shrines at Kumano, 1300s
    Mandala of the Three Shrines at KumanoUnrecorded Japanese maker, 1300sCourtesy of the Cleveland Museum of Art
  3. Portrait of a Boy, ca. 1800
    Portrait of a BoyUnrecorded Italian maker, ca. 1800Courtesy of the Smithsonian American Art Museum

First room, south wall

  1. Emperor Xuanzong's flight to Shu, mid-12th century
    Emperor Xuanzong's flight to ShuUnrecorded Chinese maker, mid-12th centuryCourtesy of The Metropolitan Museum of Art
  2. Portrait of Roberto Castiglione, early 1600s
    Portrait of Roberto CastiglioneUnrecorded Italian maker, early 1600sCourtesy of the Cleveland Museum of Art
  3. Lord Rothes, 1768
    Lord RothesUnrecorded British maker, 1768Courtesy of the Smithsonian American Art Museum

Second room, south wall

  1. Adoration of the Shepherds, c. 1500
    Adoration of the ShepherdsUnrecorded Italian maker, c. 1500Courtesy of the Cleveland Museum of Art
  2. Toilette of Radha, c. 1810–20
    Toilette of RadhaUnrecorded Indian maker, c. 1810–20Courtesy of the Cleveland Museum of Art
  3. Small Landscape, ca. 1750-1800
    Small LandscapeUnrecorded British maker, ca. 1750-1800Courtesy of the Smithsonian American Art Museum
  4. Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events), 1670–80
    Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events)Unrecorded Indian maker, 1670–80Courtesy of the Cleveland Museum of Art

Second room, north wall

  1. Martha Scolding Her Vain Sister Mary Magdalene, 17th century
    Martha Scolding Her Vain Sister Mary MagdaleneUnrecorded French maker, 17th centuryCourtesy of the Smithsonian American Art Museum
  2. We look across and down at a channel of water separating two landmasses labeled "Boston" and "Charles Town" in this horizontal landscape painting. Four three-masted ships are in the aquamarine-blue harbor between us and the land. Three of them have their sails unfurled and smoke billows from the broad, starboard side of each. Tidy rows of brown houses line the area of Boston. A puff of white smoke rises from the farthest point. Two arrow-shaped missiles, perhaps projectiles on fire, arc toward Charles Town, where billowing gray plumes of smoke rise from vivid orange fire on the far side of the landmass. Rowboats bring soldiers to the shore of Charles Town, close to where hundreds of soldiers line up and fire at each other. Much of the rest of Charles Town is a hill leading to sheer cliffs to our right. Tan and gray-colored smoke mixes among bright white clouds against a pale blue sky on the top half of the painting.
    Attack on Bunker's Hill, with the Burning of Charles TownUnrecorded American maker, 1783 or afterCourtesy National Gallery of Art, Washington

Third room, north wall

  1. Our Lady of Valvanera, ca. 1770–80
    Our Lady of ValvaneraUnrecorded Latin American maker, ca. 1770–80Courtesy of The Metropolitan Museum of Art
  2. Saint in Red Cloak, late 19th - early 20th century
    Saint in Red CloakUnrecorded Italian maker, late 19th - early 20th centuryCourtesy of the Cleveland Museum of Art

Third room, south wall

  1. Kongōyasha Myōō, 12th century
    Kongōyasha MyōōUnrecorded Japanese maker, 12th centuryCourtesy of The Metropolitan Museum of Art
  2. Three Figures, from Cave 224, 4th-6th century
    Three Figures, from Cave 224Unrecorded maker, 4th-6th centuryCourtesy of the Smithsonian American Art Museum