Floor plan

Artist galleriesSarah C. Frothingham's contemporaries

Sarah C. Frothingham's contemporaries

Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.
Robert Edwards Carter, by Sarah C. Frothingham, ca. 1840
Color pastel drawing of ballerinas in tutus on stage, watched by audience.
Young Husband: First Marketing, by Lilly Martin Spencer, 1854
The Monkey Bridge, by Katsushika Taito II, early 1830s
Oil painting

The works in this room are listed below.

Works in this room

A few works by Sarah C. Frothingham, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

Section 1, north wall

  1. Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.
    Paris Street; Rainy DayGustave Caillebotte, 1877Courtesy of the Art Institute of Chicago
  2. Robert Edwards Carter, by Sarah C. Frothingham, ca. 1840
    Robert Edwards CarterSarah C. Frothingham, ca. 1840Courtesy of the Smithsonian American Art Museum
  3. Color pastel drawing of ballerinas in tutus on stage, watched by audience.
    Ballet at the Paris OpéraEdgar Degas, 1877Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art
  2. The Monkey Bridge, by Katsushika Taito II, early 1830s
    The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art
  3. Oil painting
    Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution

Section 2, south wall

  1. Lear and Cordelia, by Richard Hatfield, 1845
    Lear and CordeliaRichard Hatfield, 1845Courtesy of the Smithsonian American Art Museum
  2. A work made of color woodblock print; oban triptych.
    Picture of Men and Women from Many Countries (Bankoku danjo jinbutsu zue)Utagawa Yoshiiku, 1861Courtesy of the Art Institute of Chicago