Floor plan

Artist galleriesLodewijk Toeput's contemporaries

Lodewijk Toeput's contemporaries

A work made of engraving on laid paper.
A work made of pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper.
A work made of engraving in black on cream laid paper.
The Seed Received among the Thorns, from the Parable of the Sower, by Gerard P. van Groningen, c. 1573
A work made of engraving on ivory laid paper.
A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639

The works in this room are listed below.

Works in this room

A few works by Lodewijk Toeput, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

Section 1, north wall

  1. A work made of engraving on laid paper.
    The Holy FamilyPieter de Jode, I, c. 1585-1595Courtesy of the Art Institute of Chicago
  2. A work made of pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper.
    Interior View of the ColiseumLodewijk Toeput, c. 1580Courtesy of the Art Institute of Chicago
  3. A work made of engraving in black on cream laid paper.
    The Carnival (or the Prodigal Son)Jan Sadeler, I, 1588Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. The Seed Received among the Thorns, from the Parable of the Sower, by Gerard P. van Groningen, c. 1573
    The Seed Received among the Thorns, from the Parable of the SowerGerard P. van Groningen, c. 1573Courtesy of the Cleveland Museum of Art
  2. A work made of engraving on ivory laid paper.
    Fides, plate 1 from The Seven VirtuesHieronymous Wierix, c. 1598Courtesy of the Art Institute of Chicago
  3. A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639
    A Mill with a Fortified Bridge, a Rowing Boat in the ForegroundRoelandt Savery, 1596–1639Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Ceres and Bacchus, by Bartholomaeus Spranger, 1600s
    Ceres and BacchusBartholomaeus Spranger, 1600sCourtesy of the Cleveland Museum of Art
  2. A work made of engraving on paper.
    Title page, from The Seven VicesHieronymous Wierix, c. 1598Courtesy of the Art Institute of Chicago