Floor plan

Artist galleriesJacob Matham's contemporaries

Jacob Matham's contemporaries

A work made of engraving in black on cream laid paper.
Samson and Delilah, by Gerrit van Honthorst, c. 1616
A work made of oil on panel.
Merrymakers at Shrovetide, by Frans Hals, ca. 1616–17
A work made of engraving on three joined sheets of laid paper.
Phaeton, from "The Four Disgracers", by Hendrick Goltzius, 1588

The works in this room are listed below.

Works in this room

A few works by Jacob Matham, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. A work made of engraving in black on cream laid paper.
    Christ Raises the Dead Son of the Widow of NainJacob Matham, 1593/94Courtesy of the Art Institute of Chicago
  2. Samson and Delilah, by Gerrit van Honthorst, c. 1616
    Samson and DelilahGerrit van Honthorst, c. 1616Courtesy of the Cleveland Museum of Art
  3. A work made of oil on panel.
    Breakfast Still LifeWillem Claesz. Heda, 1647Courtesy of the Art Institute of Chicago

Their contemporaries

  1. Merrymakers at Shrovetide, by Frans Hals, ca. 1616–17
    Merrymakers at ShrovetideFrans Hals, ca. 1616–17Courtesy of The Metropolitan Museum of Art
  2. A work made of engraving on three joined sheets of laid paper.
    The Last SupperJan Harmensz. Muller, 1594Courtesy of the Art Institute of Chicago
  3. Phaeton, from "The Four Disgracers", by Hendrick Goltzius, 1588
    Phaeton, from "The Four Disgracers"Hendrick Goltzius, 1588Courtesy of The Metropolitan Museum of Art

Their contemporaries, second

  1. The image features the upper body and head of a man in a circular frame. The man is facing slightly to the side and downward, with his body oriented to the left and his head turned towards the viewer. He has a prominent forehead, a defined nose, a furrowed brow, and a scrunched face. His hair is thinning on top, with longer strands curling around the back and sides of his head. The man has a beard with similar curled texture as his hair. He is wearing a garment that drapes over his shoulders, with visible folds and a texture that suggests a substantial fabric. No jewelry or objects are in his hands, as they are not visible in this image. The background is plain with a light, sketchy look, focusing attention on the man as the central figure in the circular composition.
    Head of an ApostleHendrick GoltziusCourtesy National Gallery of Art, Washington
  2. A work made of engraving on two joined sheets of ivory laid paper.
    The Wedding at CanaHendrick Goltzius, c. 1590-1610Courtesy of the Art Institute of Chicago