Floor plan

Artist galleriesHenry Farrer's contemporaries

Henry Farrer's contemporaries

Young Husband: First Marketing, by Lilly Martin Spencer, 1854
There are two teapots in the image. The larger teapot has a decorative pattern of red leaves and blue curve on an olive-green background, with a white handle. The smaller teapot has a dark brown glossy finish. The color palette consists of earthy tones like browns, olive green, red, and blue. The larger teapot is positioned slightly to the right, behind the smaller one, which is in the foreground on a reflective green surface. The background has a light beige appearance.
Oil painting
The image depicts a landscape with towering rock formations dominating the scene. The ground is rugged and textured, leading the eye towards the rock pillars in the center. A structure or building is perched atop one of these rocks. The background shows the horizon above the structure, with clouds and sky stretching out beyond. The artwork features detailed brushstrokes adding texture to the rocks. The color palette is monochromatic with varying shades of charcoal or ink, emphasizing the contrast between the rocks and the sky.
Self-Portrait, by Abbott Handerson Thayer, 1920
Cartoon for mural of Minnesota State Capital, "Institute of Justice", by Kenyon Cox, ca. 1904

The works in this room are listed below.

Works in this room

A few works by Henry Farrer, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

First room, north wall

  1. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art
  2. There are two teapots in the image. The larger teapot has a decorative pattern of red leaves and blue curve on an olive-green background, with a white handle. The smaller teapot has a dark brown glossy finish. The color palette consists of earthy tones like browns, olive green, red, and blue. The larger teapot is positioned slightly to the right, behind the smaller one, which is in the foreground on a reflective green surface. The background has a light beige appearance.
    Asian Tea PotsHenry Farrer, n.d.Courtesy National Gallery of Art, Washington
  3. Oil painting
    Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution
  4. The image depicts a landscape with towering rock formations dominating the scene. The ground is rugged and textured, leading the eye towards the rock pillars in the center. A structure or building is perched atop one of these rocks. The background shows the horizon above the structure, with clouds and sky stretching out beyond. The artwork features detailed brushstrokes adding texture to the rocks. The color palette is monochromatic with varying shades of charcoal or ink, emphasizing the contrast between the rocks and the sky.
    The Cliffs of the TrinityJoseph Pennell, 1913Courtesy National Gallery of Art, Washington

First room, south wall

  1. Self-Portrait, by Abbott Handerson Thayer, 1920
    Self-PortraitAbbott Handerson Thayer, 1920Courtesy of the Cleveland Museum of Art
  2. Cartoon for mural of Minnesota State Capital, "Institute of Justice", by Kenyon Cox, ca. 1904
    Cartoon for mural of Minnesota State Capital, "Institute of Justice"Kenyon Cox, ca. 1904Courtesy of the Smithsonian American Art Museum

Second room, south wall

  1. Spring Blossoms, Montclair, New Jersey, by George Inness, ca. 1891
    Spring Blossoms, Montclair, New JerseyGeorge Inness, ca. 1891Courtesy of The Metropolitan Museum of Art
  2. AMERICAN PLAINS WITH MOUNTAIN RANGE IN THE DISTANCE
    American Plains with Mountain Range in the DistanceThomas Moran, before 1872Courtesy of Cooper Hewitt, Smithsonian Design Museum