Floor plan

Artist galleriesFélicien Rops's contemporaries

Félicien Rops's contemporaries

A work made of photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper.
The Cathedral, by James Ensor, 1886
Color pastel drawing of ballerinas in tutus on stage, watched by audience.
Young Husband: First Marketing, by Lilly Martin Spencer, 1854
Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.
The Monkey Bridge, by Katsushika Taito II, early 1830s

The works in this room are listed below.

Works in this room

A few works by Félicien Rops, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. A work made of photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper.
    Modern MasksFélicien Rops, 1889Courtesy of the Art Institute of Chicago
  2. The Cathedral, by James Ensor, 1886
    The CathedralJames Ensor, 1886Courtesy of the Cleveland Museum of Art
  3. Color pastel drawing of ballerinas in tutus on stage, watched by audience.
    Ballet at the Paris OpéraEdgar Degas, 1877Courtesy of the Art Institute of Chicago
  4. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art

Their contemporaries

  1. Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.
    Paris Street; Rainy DayGustave Caillebotte, 1877Courtesy of the Art Institute of Chicago
  2. The Monkey Bridge, by Katsushika Taito II, early 1830s
    The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art

Their contemporaries, second

  1. Oil painting
    Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution
  2. Lear and Cordelia, by Richard Hatfield, 1845
    Lear and CordeliaRichard Hatfield, 1845Courtesy of the Smithsonian American Art Museum