Floor plan

Artist galleriesBotticelli (Alessandro di Mariano Filipepi)'s contemporaries

Botticelli (Alessandro di Mariano Filipepi)'s contemporaries

The Annunciation, by Botticelli (Alessandro di Mariano Filipepi), ca. 1490
The Last Communion of Saint Jerome, by Botticelli (Alessandro di Mariano Filipepi), early 1490s
View of Venice, by Jacopo de' Barbari, 1500
Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s

The works in this room are listed below.

Works in this room

A few works by Botticelli (Alessandro di Mariano Filipepi), then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

Section 1, north wall

  1. The Annunciation, by Botticelli (Alessandro di Mariano Filipepi), ca. 1490
    The AnnunciationBotticelli (Alessandro di Mariano Filipepi), ca. 1490Courtesy of The Metropolitan Museum of Art
  2. The Last Communion of Saint Jerome, by Botticelli (Alessandro di Mariano Filipepi), early 1490s
    The Last Communion of Saint JeromeBotticelli (Alessandro di Mariano Filipepi), early 1490sCourtesy of The Metropolitan Museum of Art

Their contemporaries

  1. View of Venice, by Jacopo de' Barbari, 1500
    View of VeniceJacopo de' Barbari, 1500Courtesy of the Cleveland Museum of Art
  2. Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s
    Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art

Their contemporaries, second

  1. Madonna and Child, by Giovanni Bellini, late 1480s
    Madonna and ChildGiovanni Bellini, late 1480sCourtesy of The Metropolitan Museum of Art
  2. A Bear Walking, by Leonardo da Vinci, ca. 1482–85
    A Bear WalkingLeonardo da Vinci, ca. 1482–85Courtesy of The Metropolitan Museum of Art
  3. Madonna and Child, by Filippino Lippi, ca. 1483–84
    Madonna and ChildFilippino Lippi, ca. 1483–84Courtesy of The Metropolitan Museum of Art
  4. Study for the Equestrian Monument to Francesco Sforza, by Antonio Pollaiuolo, early to mid 1480s
    Study for the Equestrian Monument to Francesco SforzaAntonio Pollaiuolo, early to mid 1480sCourtesy of The Metropolitan Museum of Art