Floor plan

Artist galleriesBenvenuto di Giovanni's contemporaries

Benvenuto di Giovanni's contemporaries

Study for the Equestrian Monument to Francesco Sforza, by Antonio Pollaiuolo, early to mid 1480s
Madonna and Child with Saint Jerome and Saint Bernardino of Siena, by Benvenuto di Giovanni, c. 1480/1485
View of Venice, by Jacopo de' Barbari, 1500
Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s
Madonna and Child, by Giovanni Bellini, late 1480s
A Bear Walking, by Leonardo da Vinci, ca. 1482–85

The works in this room are listed below.

Works in this room

A few works by Benvenuto di Giovanni, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

First room, north wall

  1. Study for the Equestrian Monument to Francesco Sforza, by Antonio Pollaiuolo, early to mid 1480s
    Study for the Equestrian Monument to Francesco SforzaAntonio Pollaiuolo, early to mid 1480sCourtesy of The Metropolitan Museum of Art
  2. Madonna and Child with Saint Jerome and Saint Bernardino of Siena, by Benvenuto di Giovanni, c. 1480/1485
    Madonna and Child with Saint Jerome and Saint Bernardino of SienaBenvenuto di Giovanni, c. 1480/1485Courtesy National Gallery of Art, Washington
  3. View of Venice, by Jacopo de' Barbari, 1500
    View of VeniceJacopo de' Barbari, 1500Courtesy of the Cleveland Museum of Art

First room, south wall

  1. Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s
    Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art
  2. Madonna and Child, by Giovanni Bellini, late 1480s
    Madonna and ChildGiovanni Bellini, late 1480sCourtesy of The Metropolitan Museum of Art
  3. A Bear Walking, by Leonardo da Vinci, ca. 1482–85
    A Bear WalkingLeonardo da Vinci, ca. 1482–85Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. Madonna and Child, by Filippino Lippi, ca. 1483–84
    Madonna and ChildFilippino Lippi, ca. 1483–84Courtesy of The Metropolitan Museum of Art
  2. A work made of tempera on panel, transferred to canvas.
    Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago