Floor plan

Artist galleriesBartolomeo Manfredi's contemporaries

Bartolomeo Manfredi's contemporaries

Martyrdom of Saint Andrew, by Guido Reni, 1600s
Large painting of cupid being whipped, a woman tries to hold back the a man in red dress.
The Coronation of the Virgin, by Annibale Carracci, after 1595
A work made of black chalk with pen and brown ink on cream laid paper.
Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600
Danaë, by Orazio Gentileschi, c. 1623

The works in this room are listed below.

Works in this room

A few works by Bartolomeo Manfredi, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

Section 1, north wall

  1. Martyrdom of Saint Andrew, by Guido Reni, 1600s
    Martyrdom of Saint AndrewGuido Reni, 1600sCourtesy of the Cleveland Museum of Art
  2. Large painting of cupid being whipped, a woman tries to hold back the a man in red dress.
    Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago
  3. The Coronation of the Virgin, by Annibale Carracci, after 1595
    The Coronation of the VirginAnnibale Carracci, after 1595Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A work made of black chalk with pen and brown ink on cream laid paper.
    Putto Holding StaffGuido Reni, n.d.Courtesy of the Art Institute of Chicago
  2. Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600
    Saint John the Baptist Bearing WitnessAnnibale Carracci, ca. 1600Courtesy of The Metropolitan Museum of Art
  3. Danaë, by Orazio Gentileschi, c. 1623
    DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of etching in black on cream laid paper.
    Saint Catherine of Siena Receiving the StigmataFrancesco Vanni, c. 1595Courtesy of the Art Institute of Chicago
  2. A work made of etching in black on cream laid paper.
    Soldier in Profile Holding a Pike, from Capricci e habiti militariFilippo Napoletano, 1610/29Courtesy of the Art Institute of Chicago