Floor plan

Artist galleriesAndrea del Verrocchio's contemporaries

Andrea del Verrocchio's contemporaries

A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.
View of Venice, by Jacopo de' Barbari, 1500
Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s
Madonna and Child, by Giovanni Bellini, late 1480s
A Bear Walking, by Leonardo da Vinci, ca. 1482–85
Madonna and Child, by Filippino Lippi, ca. 1483–84

The works in this room are listed below.

Works in this room

A few works by Andrea del Verrocchio, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.
    Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago
  2. View of Venice, by Jacopo de' Barbari, 1500
    View of VeniceJacopo de' Barbari, 1500Courtesy of the Cleveland Museum of Art

Their contemporaries

  1. Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s
    Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art
  2. Madonna and Child, by Giovanni Bellini, late 1480s
    Madonna and ChildGiovanni Bellini, late 1480sCourtesy of The Metropolitan Museum of Art
  3. A Bear Walking, by Leonardo da Vinci, ca. 1482–85
    A Bear WalkingLeonardo da Vinci, ca. 1482–85Courtesy of The Metropolitan Museum of Art
  4. Madonna and Child, by Filippino Lippi, ca. 1483–84
    Madonna and ChildFilippino Lippi, ca. 1483–84Courtesy of The Metropolitan Museum of Art

Their contemporaries, second

  1. Study for the Equestrian Monument to Francesco Sforza, by Antonio Pollaiuolo, early to mid 1480s
    Study for the Equestrian Monument to Francesco SforzaAntonio Pollaiuolo, early to mid 1480sCourtesy of The Metropolitan Museum of Art
  2. A work made of tempera on panel, transferred to canvas.
    Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago