Floor plan

Style galleriesUkiyo-e

Ukiyo-e

A Courtesan, by Kitagawa Utamaro
Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First Month, by Okumura Masanobu, ca. 1736–44
Morning Cherries at Yoshiwara, by Utagawa Hiroshige
A work made of color woodblock print; hosoban; triptych.
A work made of color woodblock print; oban.
A work made of color woodblock print; oban.

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. A Courtesan, by Kitagawa Utamaro
    A CourtesanKitagawa UtamaroCourtesy of The Metropolitan Museum of Art
  2. Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First Month, by Okumura Masanobu, ca. 1736–44
    Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First MonthOkumura Masanobu, ca. 1736–44Courtesy of The Metropolitan Museum of Art
  3. Morning Cherries at Yoshiwara, by Utagawa Hiroshige
    Morning Cherries at YoshiwaraUtagawa HiroshigeCourtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A work made of color woodblock print; hosoban; triptych.
    The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776Katsukawa Shunshō, c. 1776Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban.
    One Person, Six Expressions (Hitori rokumenso)Kobayashi Kiyochika, 1884Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; oban.
    The Ninth Month, from the series Five Amorous Festivals of Love (Aibore iro no gosekku)Kitagawa Utamaro, 1801Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo", by Utagawa Hiroshige, 1856
    Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo"Utagawa Hiroshige, 1856Courtesy of The Metropolitan Museum of Art
  2. The Gossips, by Suzuki Harunobu, ca. 1767
    The GossipsSuzuki Harunobu, ca. 1767Courtesy of The Metropolitan Museum of Art
  3. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. Outfit for the Game of Incense, by Ryūryūkyo Shinsai, 19th century
    Outfit for the Game of IncenseRyūryūkyo Shinsai, 19th centuryCourtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; uchiwa-e.
    Morning Glories, Pinks, and Maiden Flower, from the series "Seven Autumn Flowers in Moonlight"Utagawa Hiroshige, 1830/44Courtesy of the Art Institute of Chicago
  3. Illustration of a Balloon Ascending (Fūsen shōyō no zu), by Utagawa Yoshitora, November, 1872
    Illustration of a Balloon Ascending (Fūsen shōyō no zu)Utagawa Yoshitora, November, 1872Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A work made of color woodblock print; oban.
    The Plum Orchard at Kamata (Kamata no umezono), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago
  2. Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the Nurse, by Katsushika Hokusai, 1835–36
    Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the NurseKatsushika Hokusai, 1835–36Courtesy of the Cleveland Museum of Art

Section 3, south wall

  1. A work made of color woodblock print; shikishiban, surimono.
    Distant View of Mount Fuji at Dawn from HakoneUtagawa Kuniyoshi, c. 1828/30Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban triptych.
    Eight Modern Views of Famous Places in Tokyo of Great Japan (Dai Nippon Tokyo kaika meisho hakkei no zu)Utagawa Kunisada II (Kunimasa III, Toyokuni IV), 1875Courtesy of the Art Institute of Chicago