Ukiyo-e





Works in this room
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

Cherry Blossoms in the WindUtagawa Toyokuni, late 1790sCourtesy of the Cleveland Museum of Art 
A Windy Day under the Cherry TreesUtagawa Toyokuni, c. 1797Courtesy of the Art Institute of Chicago
Section 1, south wall

Kanagawa in Musashi Province: Distant View of Yokohama (Yokohama enbo), from the series Calligraphy and Pictures for the Fifty-three Stations of the Tokaido (Shoga gojusan eki)Utagawa Yoshimori, 1982Courtesy of the Art Institute of Chicago 
The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago 
Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"Katsushika Hokusai, About 1833Courtesy of the Art Institute of Chicago
Section 2, south wall

Xu You and Chao FuOkumura Masanobu, 18th centuryCourtesy of The Metropolitan Museum of Art 
Numazu Ki KureUtagawa Hiroshige, ca. 1834Courtesy of The Metropolitan Museum of Art 
Flower ArrangingKitao Shigemasa, c. 1769Courtesy of the Art Institute of Chicago
Section 2, north wall

Irises at Horikiri (Horikiri no hanashobu), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago 
Passengers in a Ferry Boat on the Sumida RiverTorii Kiyonaga, 1784Courtesy of the Cleveland Museum of Art 
Kametani Jujiro as the Shirabyoshi Dancer YuyaTorii Kiyomitsu, c. early 1760sCourtesy of the Cleveland Museum of Art
Section 3, north wall

Postal Hōchi Newspaper no. 645, Englishman raping a wine shopkeeper's daughter (Yūbin Hōchi shinbun, roppyaku yonjū gogō)Tsukioka Yoshitoshi, August, 1875Courtesy of The Metropolitan Museum of Art 
Giving a Light by the Garyubai Plum TreeSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago 
Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago
Section 3, south wall

A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art 
Hara: Mount Fuji in the Morning (Hara, Asa no Fuji), from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the First Tōkaidō or Great TōkaidōUtagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art