Floor plan

Style galleriesUkiyo-e

Ukiyo-e

A work made of color woodblock print; oban.
Grasshopper and Iris, by Katsushika Hokusai, late 1820s
A work made of color woodblock print; oban.
A Picture of the Viewing in the Pleasure Quarters, by Kikukawa Eizan, 1810s
Vehicles on the Streets of Tokyo, by Utagawa Yoshitora, 1870

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. A work made of color woodblock print; oban.
    Fireworks at Ryōgoku (Ryōgoku hanabi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)Utagawa Hiroshige, 1858Courtesy of the Art Institute of Chicago
  2. Grasshopper and Iris, by Katsushika Hokusai, late 1820s
    Grasshopper and IrisKatsushika Hokusai, late 1820sCourtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; oban.
    Three Beauties of Our Time (Tosei san bijin)Chokosai Eisho, n.d.Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A Picture of the Viewing in the Pleasure Quarters, by Kikukawa Eizan, 1810s
    A Picture of the Viewing in the Pleasure QuartersKikukawa Eizan, 1810sCourtesy of the Cleveland Museum of Art
  2. Vehicles on the Streets of Tokyo, by Utagawa Yoshitora, 1870
    Vehicles on the Streets of TokyoUtagawa Yoshitora, 1870Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the Nurse, by Katsushika Hokusai, 1835–36
    Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the NurseKatsushika Hokusai, 1835–36Courtesy of the Cleveland Museum of Art
  2. Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami), by Kitagawa Utamaro, ca. 1798–99
    Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami)Kitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; oban.
    Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)"Kitagawa Utamaro, c. 1795/96Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Evening Snow at Asuka Hill, from the series Eight Views of the Environs of Edo, by Utagawa Hiroshige, c. 1837–38
    Evening Snow at Asuka Hill, from the series Eight Views of the Environs of EdoUtagawa Hiroshige, c. 1837–38Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print.
    Tsuten-kyo Bridge, Tofuku Temple, Kyoto (Kyoto Tofukuji Tsutenkyo bashi) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”Utagawa Hiroshige II, 1859Courtesy of the Art Institute of Chicago
  3. Books and Cards, by Reisai, 18th–19th century
    Books and CardsReisai, 18th–19th centuryCourtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Passengers in a Ferry Boat on the Sumida River, by Torii Kiyonaga, 1784
    Passengers in a Ferry Boat on the Sumida RiverTorii Kiyonaga, 1784Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; oban.
    Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in OsakaEishosai Choki, c. 1796/97Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; surimono.
    Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. A work made of color woodblock print; shikishiban, surimono.
    Distant View of Mount Fuji at Dawn from HakoneUtagawa Kuniyoshi, c. 1828/30Courtesy of the Art Institute of Chicago
  2. Kanagawa, Inland Sea: Top of the Street, by Utagawa Hiroshige, 1797–1858
    Kanagawa, Inland Sea: Top of the StreetUtagawa Hiroshige, 1797–1858Courtesy of the Cleveland Museum of Art