Floor plan

Style galleriesPrints of the 18th century

Prints of the 18th century

This is a drawing of a bird perched on a branch. The bird is detailed and identified as "Turtur Risorius." It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.
A work made of color woodblock print; ōban.
The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His Hand, by Katsukawa Shunshō, ca. 1781
A work made of etching on ivory laid paper.
This is a painting of a king, a hawk, and a hunter in a classical architectural setting with columns and arches. In the image, a figure in royal clothing is seated beneath draped red fabric, facing a man in hunting attire holding a bird. A hawk perches on the royal figure's head, wings spread, while the hunter reaches toward the hawk. Surrounding them are other figures in armor, holding spears and shields. The style is reminiscent of classic European paintings with themes of mythology or allegory.

The works in this room are listed below.

Works in this room

Prints made in the 18th century, from every museum.

Section 1, north wall

  1. This is a drawing of a bird perched on a branch. The bird is detailed and identified as "Turtur Risorius." It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.
    Turtur RisoriusWilliam Home LizarsCourtesy National Gallery of Art, Washington
  2. A work made of color woodblock print; ōban.
    Catching FirefliesEishosai Choki, c.1790sCourtesy of the Art Institute of Chicago
  3. The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His Hand, by Katsukawa Shunshō, ca. 1781
    The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His HandKatsukawa Shunshō, ca. 1781Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A work made of etching on ivory laid paper.
    View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of RomeGiovanni Battista Piranesi, 1769, published 1800–07Courtesy of the Art Institute of Chicago
  2. This is a painting of a king, a hawk, and a hunter in a classical architectural setting with columns and arches. In the image, a figure in royal clothing is seated beneath draped red fabric, facing a man in hunting attire holding a bird. A hawk perches on the royal figure's head, wings spread, while the hunter reaches toward the hawk. Surrounding them are other figures in armor, holding spears and shields. The style is reminiscent of classic European paintings with themes of mythology or allegory.
    Le roi, le milan, et le chasseur (The King, the Kite, and the Hunter)Benoît-Louis Prévost, published 1759Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. Women Beside a Stream Chasing Fireflies, by Chôbunsai Eishi, c. 1796–97
    Women Beside a Stream Chasing FirefliesChôbunsai Eishi, c. 1796–97Courtesy of the Cleveland Museum of Art
  2. A work made of etching with roulette in black on ivory wove paper.
    The Forest of RochecardonJean-Michel Grobon, 1800Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; surimono.
    Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.
    July, from Twelve Months of FlowersHenry Fletcher, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; hosoban; triptych.
    The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776Katsukawa Shunshō, c. 1776Courtesy of the Art Institute of Chicago
  3. The image shows a man in a red coat in a river, holding on to a horse. A hat floats nearby. Three figures in 18th-century clothing stand on a rocky riverbank looking concerned. In the background, there are trees, a castle-like structure, and large clouds. The brushstrokes are detailed, capturing movement and textures. The color palette includes muted tones like earthy browns, greens, soft blue, and subtle reds.
    Le torrent et la riviere (The Torrent and theRiver)Louis-Simon Lempereur, published 1756Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. Dyers at Work, by Katsushika Hokusai, c. 1800
    Dyers at WorkKatsushika Hokusai, c. 1800Courtesy of the Cleveland Museum of Art
  2. “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
    “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art
  3. “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei), by Kitagawa Utamaro, 1790
    “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei)Kitagawa Utamaro, 1790Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. The image shows an etching of a forest scene with towering trees dominating the upper half. The horizon is not clearly visible due to dense foliage, but a line of trees and rocky outcrops in the distance provide a boundary. The fine lines and cross-hatching technique create detailed textures in the tree bark and foliage. The color palette is monochromatic, in shades of black and white emphasizing light and shadow. A large tree with a partially hollow trunk and figures scattered throughout the scene give a sense of scale and activity within the forest setting.
    Wooded Landscape with a Nymph and a SatyrSalomon Gessner, 1764Courtesy National Gallery of Art, Washington
  2. Net Fishing at Night on the Sumida River, by Kitagawa Utamaro, c. 1800
    Net Fishing at Night on the Sumida RiverKitagawa Utamaro, c. 1800Courtesy of the Cleveland Museum of Art