Floor plan

Style galleriesThe American Gilded Age

The American Gilded Age

VIGNETTE: MAN CROUCHING ON A SCAFFOLDING
The Witch's Daughter, by Frederick Stuart Church, 1881
THE OLD HOPKINSON HOUSE, BORDENTOWN, NJ
Sand Dunes, Harlech, North Wales, by George Elbert Burr, 1899
Pale watercolor drawing of young dancer in long sheer dress.
The Gulf Stream, by Winslow Homer, 1899; reworked by 1906
Low Tide, Riverside Yacht Club, by Theodore Robinson, 1894

The works in this room are listed below.

Works in this room

Painting and design in the United States from the Civil War to 1910.

First room, north wall

  1. VIGNETTE: MAN CROUCHING ON A SCAFFOLDING
    Vignette: Man Crouching on a ScaffoldingWalter Appleton Clark, 1899Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. The Witch's Daughter, by Frederick Stuart Church, 1881
    The Witch's DaughterFrederick Stuart Church, 1881Courtesy of the Smithsonian American Art Museum
  3. THE OLD HOPKINSON HOUSE, BORDENTOWN, NJ
    The Old Hopkinson House, Bordentown, NJFrancis Hopkinson Smith, ca. 1880Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. Sand Dunes, Harlech, North Wales, by George Elbert Burr, 1899
    Sand Dunes, Harlech, North WalesGeorge Elbert Burr, 1899Courtesy of the Smithsonian American Art Museum

First room, south wall

  1. Pale watercolor drawing of young dancer in long sheer dress.
    Green and Blue: The DancerJames McNeill Whistler, c. 1893Courtesy of the Art Institute of Chicago
  2. The Gulf Stream, by Winslow Homer, 1899; reworked by 1906
    The Gulf StreamWinslow Homer, 1899; reworked by 1906Courtesy of The Metropolitan Museum of Art
  3. Low Tide, Riverside Yacht Club, by Theodore Robinson, 1894
    Low Tide, Riverside Yacht ClubTheodore Robinson, 1894Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. The Race Track (Death on a Pale Horse), by Albert Pinkham Ryder, c. 1896–1908
    The Race Track (Death on a Pale Horse)Albert Pinkham Ryder, c. 1896–1908Courtesy of the Cleveland Museum of Art
  2. BUTTRESSES ON CITY WALLS; LOCHES
    Buttresses on City Walls; LochesArnold William Brunner, 1883Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. Christ, by Kenyon Cox, 1905
    ChristKenyon Cox, 1905Courtesy of the Cleveland Museum of Art

Second room, north wall

  1. "King Lear," Act I, Scene I, by Edwin Austin Abbey, 1898
    "King Lear," Act I, Scene IEdwin Austin Abbey, 1898Courtesy of The Metropolitan Museum of Art
  2. The image shows a street scene from an elevated viewpoint. A horse-drawn carriage is seen moving on a wet road, reflecting light. Pedestrians with umbrellas populate the avenue. The road is visibly marked with rainwater. The skyline displays detailed architectural features like church spires and towers. The painting is done in fine, linear brushstrokes highlighting movement and atmosphere. The grayscale palette emphasizes the rainy urban setting. Wisps of steam or smoke are visible. The intricate line work and shading depict a textured, busy street under an overcast sky.
    Rainy Day, BostonChilde Hassam, 1886Courtesy National Gallery of Art, Washington

Third room, north wall

  1. We Both Must Fade (Mrs. Fithian), by Lilly Martin Spencer, 1869
    We Both Must Fade (Mrs. Fithian)Lilly Martin Spencer, 1869Courtesy of the Smithsonian American Art Museum
  2. LOCUST BLOSSOMS
    Locust BlossomsSamuel Colman, June 6, 1877Courtesy of Cooper Hewitt, Smithsonian Design Museum

Third room, south wall

  1. Portrait of Dora Wheeler, by William Merritt Chase, 1882–83
    Portrait of Dora WheelerWilliam Merritt Chase, 1882–83Courtesy of the Cleveland Museum of Art
  2. A Rose, by Thomas Anshutz, 1907
    A RoseThomas Anshutz, 1907Courtesy of The Metropolitan Museum of Art