Floor plan

Time and placeThe United States

The United States

The image shows a large wooden chest with a rectangular design and a keyhole on its front panel. The chest has a weathered look in muted browns and grays. It is positioned in the center with its top, front, and side panels visible. The background is plain and light in color.
The image shows a painted decoy of a bird mounted on a wooden stake. The decoy has intricate details with spots of yellow and green on top of a dark body. The colors are naturalistic with brown, black, yellow, white, and beige. In the lower left section of the image, there are two line drawings of a bird.
Leaping Trout, by Winslow Homer, 1889
Louis Eilshemius
This is a drawing depicting instructional annotations on a pattern for tailoring or assembling clothing. The pattern includes various pieces labeled with letters and numbers corresponding to specific parts of a garment, like "FRONT," "SIDE BACK," and "COLLAR." The layout is precise and technical, resembling a guide for constructing a garment with detailed cutting and assembly instructions.

The works in this room are listed below.

Works in this room

Works made in the United States, from every century in the collection.

Section 1, north wall

  1. The image shows a large wooden chest with a rectangular design and a keyhole on its front panel. The chest has a weathered look in muted browns and grays. It is positioned in the center with its top, front, and side panels visible. The background is plain and light in color.
    Utility ChestHenry Tomaszewski, 1937Courtesy National Gallery of Art, Washington
  2. The image shows a painted decoy of a bird mounted on a wooden stake. The decoy has intricate details with spots of yellow and green on top of a dark body. The colors are naturalistic with brown, black, yellow, white, and beige. In the lower left section of the image, there are two line drawings of a bird.
    Snipe DecoyLawrence Flynn, 1941Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. Leaping Trout, by Winslow Homer, 1889
    Leaping TroutWinslow Homer, 1889Courtesy of the Cleveland Museum of Art
  2. Louis Eilshemius
    Spanish LadyLouis M. Eilshemius, 1889Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
  3. This is a drawing depicting instructional annotations on a pattern for tailoring or assembling clothing. The pattern includes various pieces labeled with letters and numbers corresponding to specific parts of a garment, like "FRONT," "SIDE BACK," and "COLLAR." The layout is precise and technical, resembling a guide for constructing a garment with detailed cutting and assembly instructions.
    Waistcoat PatternRosalia Lane, c. 1936Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. View of Florence, by Thomas Cole, 1837
    View of FlorenceThomas Cole, 1837Courtesy of the Cleveland Museum of Art
  2. This is a drawing of various sketches related to woodcutting or carpentry. The drawing features several pencil sketches on tan paper. On the left side, there are depictions of a barrel or basket, and beneath it, several outline sketches of figures engaged in activities involving woodwork. The right side of the drawing shows a figure bent over a large beam or branch. The sketches are simple, with minimal detail, capturing the basic form and movement of the figures and objects involved in woodwork-related activities.
    Soldiers felling sapling, and weaving saplings into baskets [verso]Winslow Homer, 1862Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. Autumn Oaks, by George Inness, ca. 1878
    Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art
  2. The image shows a tall, intricately designed purple candlestick against a light beige background. The overall color palette is dominated by shades of purple. The candlestick is centrally positioned and stands upright with detailed patterns visible.
    VaseJanet Riza, c. 1937Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. The image shows a lace-trimmed sleeve with a floral lace design in the center, primarily in shades of gray and off-white. The sleeve is positioned vertically in the center of the image, with the top slightly obscured by shadow and the ruffled lace edge at the bottom. The lace details are intricate and precise, enhancing the texture and complexity of the design.
    Cuff LaceErwin Schwabe, c. 1937Courtesy National Gallery of Art, Washington
  2. This is a drawing of an abstract shape or artifact. The image features a central black object positioned against a plain, light-colored background. The object has a slightly irregular, elongated triangular form with rounded edges and contours. It includes a series of geometric holes and protrusions. The subtle shadowing suggests a three-dimensional form, yet the drawing maintains a simplicity that emphasizes the object's unique contours and cutouts.
    BootjackClaude Marshall, c. 1940Courtesy National Gallery of Art, Washington

Section 3, south wall

  1. Colonel William Leete Stone, by William Page, 1839
    Colonel William Leete StoneWilliam Page, 1839Courtesy of the Cleveland Museum of Art
  2. The image shows a person standing upright. They have a round face with simple facial features, wearing a hat with a red flower and dark ribbon. Their outfit includes a belted dress or coat, pleated texture, a cape, and arm coverings. The person is holding a matching umbrella in their right hand. The background is plain and light tan.
    Corn Husk DollMina Lowry, c. 1936Courtesy National Gallery of Art, Washington

Section 4, south wall

  1. This image shows an engraved design featuring a cannon with large wheels next to an eagle perched on top, situated on the left side of a rectangular stone slab. The color scheme is predominantly grayscale with subtle hints of blue and gray tones throughout the stone surface. The cannon is positioned slightly to the left in the composition, with its barrel pointing to the right, while the eagle is perched on the cannon barrel facing forward, wings tucked close to its body. To accompany the cannon, a stack of cannonballs is carved on the lower left, further anchoring the scene within the carved rectangle.
    Bas ReliefEdward L. Loper, c. 1938Courtesy National Gallery of Art, Washington
  2. Boy with Anchor, by Winslow Homer, 1873
    Boy with AnchorWinslow Homer, 1873Courtesy of the Cleveland Museum of Art
  3. The image shows an ornate chair with a high back, decorative carvings along its arms, legs, and backrest, a woven or cane seat and back, and intricate patterns. The chair is detailed with earthy brown tones and subtle shading accentuating the wood texture and design motifs. It is placed in the center of the image, facing slightly to the left, with linear guides indicating perspective and depth on a plain background.
    ArmchairAgnes Karlin, c. 1936Courtesy National Gallery of Art, Washington