Floor plan

Time and placeThe 20th century

The 20th century

The image shows a person standing upright. They have a round face with simple facial features, wearing a hat with a red flower and dark ribbon. Their outfit includes a belted dress or coat, pleated texture, a cape, and arm coverings. The person is holding a matching umbrella in their right hand. The background is plain and light tan.
Golden Star (Chrysogonum virginianum), by Mary Vaux Walcott, 1922
This is a painting of a camel with a colorful saddle. The camel is centered in the image, standing against a plain, light-colored background. The animal is drawn with careful attention to detail, showcasing its distinctive humps, elongated neck, and slender legs. It is adorned with a vibrant saddle that features bright orange and red tones. The simplicity of the background emphasizes the camel.
The image shows a beige knitted fingerless glove on a light-colored background. The glove is flat and displayed vertically, with the thumb-piece extending to the left. There is a subtle dark pattern or lettering at the base of the glove. The color palette is warm with beige tones against the light background, emphasizing the texture and design of the glove.
This is a drawing of a wooden window shutter in a light-colored wall. The detailed study shows the craftsmanship of the shutter, with a focus on texture, form, wood grain, and panels. The aged and weathered texture suggests exposure to the elements. The shutter is secured with a metal latch in the center. The wall is subtly shaded to imply depth and setting, with slight distress marks adding to the aged ambiance of the scene.
Stag at Sharkey's, by George Bellows, 1909
The Sprout Lot, by J. Francis Murphy, 1915

The works in this room are listed below.

Works in this room

Works made in the 20th century, anywhere in the world.

Section 1, north wall

  1. The image shows a person standing upright. They have a round face with simple facial features, wearing a hat with a red flower and dark ribbon. Their outfit includes a belted dress or coat, pleated texture, a cape, and arm coverings. The person is holding a matching umbrella in their right hand. The background is plain and light tan.
    Corn Husk DollMina Lowry, c. 1936Courtesy National Gallery of Art, Washington
  2. Golden Star (Chrysogonum virginianum), by Mary Vaux Walcott, 1922
    Golden Star (Chrysogonum virginianum)Mary Vaux Walcott, 1922Courtesy of the Smithsonian American Art Museum
  3. This is a painting of a camel with a colorful saddle. The camel is centered in the image, standing against a plain, light-colored background. The animal is drawn with careful attention to detail, showcasing its distinctive humps, elongated neck, and slender legs. It is adorned with a vibrant saddle that features bright orange and red tones. The simplicity of the background emphasizes the camel.
    Bank CamelWilliam O. Fletcher, c. 1940Courtesy National Gallery of Art, Washington
  4. The image shows a beige knitted fingerless glove on a light-colored background. The glove is flat and displayed vertically, with the thumb-piece extending to the left. There is a subtle dark pattern or lettering at the base of the glove. The color palette is warm with beige tones against the light background, emphasizing the texture and design of the glove.
    Knitted GloveElizabeth Moutal, c. 1936Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. This is a drawing of a wooden window shutter in a light-colored wall. The detailed study shows the craftsmanship of the shutter, with a focus on texture, form, wood grain, and panels. The aged and weathered texture suggests exposure to the elements. The shutter is secured with a metal latch in the center. The wall is subtly shaded to imply depth and setting, with slight distress marks adding to the aged ambiance of the scene.
    Sacristy Door at Mission San Juan BautistaEthel Dougan, 1938Courtesy National Gallery of Art, Washington
  2. Stag at Sharkey's, by George Bellows, 1909
    Stag at Sharkey'sGeorge Bellows, 1909Courtesy of the Cleveland Museum of Art
  3. The Sprout Lot, by J. Francis Murphy, 1915
    The Sprout LotJ. Francis Murphy, 1915Courtesy of the Smithsonian American Art Museum

Section 2, south wall

  1. Mäda Primavesi (1903–2000), by Gustav Klimt, 1912–13
    Mäda Primavesi (1903–2000)Gustav Klimt, 1912–13Courtesy of The Metropolitan Museum of Art
  2. Thomas Eakins
    Portrait of Mrs. Helen Mac Knight (Portrait of a Mother)Thomas Eakins, (c. 1903)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
  3. The image shows a large wooden chest with a rectangular design and a keyhole on its front panel. The chest has a weathered look in muted browns and grays. It is positioned in the center with its top, front, and side panels visible. The background is plain and light in color.
    Utility ChestHenry Tomaszewski, 1937Courtesy National Gallery of Art, Washington
  4. The image shows a lace-trimmed sleeve with a floral lace design in the center, primarily in shades of gray and off-white. The sleeve is positioned vertically in the center of the image, with the top slightly obscured by shadow and the ruffled lace edge at the bottom. The lace details are intricate and precise, enhancing the texture and complexity of the design.
    Cuff LaceErwin Schwabe, c. 1937Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. This is a drawing of two ornate elephants. The image depicts two stylized elephants, each adorned with decorative elements. Both elephants are shown carrying a structure on their backs, resembling a small tower or box with a red domed top. The left elephant is turned to the side, its trunk raised. The right elephant faces forward. Each structure on their backs is detailed with intricate designs, including a diamond shape on the side. The overall composition suggests a ceremonial or regal theme. The subtle use of colors like red and gold enhances the ornate appearance. The coloring and shading indicate an attention to detail typical of deliberately crafted illustrations.
    Iron Bank ElephantZ.S. Lupus, c. 1938Courtesy National Gallery of Art, Washington
  2. Still Life, by Preston Dickinson, c. 1924
    Still LifePreston Dickinson, c. 1924Courtesy of the Cleveland Museum of Art
  3. The image shows a wooden chair with a rush seat. It features ornate details on the backrest. The color palette includes dark wood tones, pale greenish detailing, and a warm yellowish hue for the seat. The chair is centrally positioned in the image, viewed from the front, with no other objects around it.
    Ladderback ChairGerald Bernhardt, c. 1936Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. This is a drawing of decorative motifs. The image shows three distinct designs with ornate, swirling patterns. The uppermost design is in gold color. Two additional designs are sketched below in a lighter tone, likely pencil. The use of line and form emphasizes intricate looping patterns that suggest inspiration from natural forms such as vines or waves. The composition is against a plain background, drawing attention to the details and shapes of the motifs, presenting a sense of simplicity and artistry.
    Gold BroochIsidore Steinberg, c. 1940Courtesy National Gallery of Art, Washington
  2. In the Desert, by H. Siddons Mowbray, 1915-1925
    In the DesertH. Siddons Mowbray, 1915-1925Courtesy of the Smithsonian American Art Museum