Floor plan

Time and placeThe 20th century

The 20th century

The image displays a detailed drawing of a vintage wall-mounted lamp. The color palette consists of primarily browns and earthy tones, with hints of a metallic sheen. The lamp is centered in the image, with its base attached to the right side and extending to the left. A subtle shadow and highlights give the lamp a three-dimensional appearance against a plain, light beige background.
Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.
The image shows a painted decoy of a bird mounted on a wooden stake. The decoy has intricate details with spots of yellow and green on top of a dark body. The colors are naturalistic with brown, black, yellow, white, and beige. In the lower left section of the image, there are two line drawings of a bird.
Portrait of William E. Norton, by William Penhallow Henderson, 1901
This is a painting showing two people in nature. The person on the left appears to be running towards the right, with one leg in the air and their arms outstretched. They have tan, golden-toned skin, blond hair, and golden fabric draped loosely around them, billowing backward as they run. On the right is a pale person standing upright in a tree, their arms outstretched. They appear intertwined with the tree, with their feet nestled in the light brown trunk and their head and hands covered in olive-green leaves. The background features indistinct brown shapes against a clear blue sky.
The image shows a tall, intricately designed purple candlestick against a light beige background. The overall color palette is dominated by shades of purple. The candlestick is centrally positioned and stands upright with detailed patterns visible.
This is a painting of a vintage fire hose cart. It is intricately designed, featuring a four-wheeled cart meant to hold a coiled fire hose. The painting showcases the cart's wooden spoked wheels and hose mechanism, as well as ornate wrought iron designs and a brass figure. A bell is depicted above one wheel. The painting captures the craftsmanship of the era and is reminiscent of the style of Charles Demuth, known for his attention to detail and focus on industrial and architectural elements.
Vibrantly colored geometric painting of a central white and blue waterfall with birds visible through it. A stylized red jungle cat and black wild boar drink at bottom right. Red water wheel at left, angular blue and white cityscape top at left, tree top at right.

The works in this room are listed below.

Works in this room

Works made in the 20th century, anywhere in the world.

Section 1, north wall

  1. The image displays a detailed drawing of a vintage wall-mounted lamp. The color palette consists of primarily browns and earthy tones, with hints of a metallic sheen. The lamp is centered in the image, with its base attached to the right side and extending to the left. A subtle shadow and highlights give the lamp a three-dimensional appearance against a plain, light beige background.
    Binnacle LampHerman O. Stroh, 1938Courtesy National Gallery of Art, Washington
  2. Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.
    Landscape with Two PoplarsVasily Kandinsky, 1912Courtesy of the Art Institute of Chicago
  3. The image shows a painted decoy of a bird mounted on a wooden stake. The decoy has intricate details with spots of yellow and green on top of a dark body. The colors are naturalistic with brown, black, yellow, white, and beige. In the lower left section of the image, there are two line drawings of a bird.
    Snipe DecoyLawrence Flynn, 1941Courtesy National Gallery of Art, Washington
  4. Portrait of William E. Norton, by William Penhallow Henderson, 1901
    Portrait of William E. NortonWilliam Penhallow Henderson, 1901Courtesy of the Smithsonian American Art Museum

Section 1, south wall

  1. This is a painting showing two people in nature. The person on the left appears to be running towards the right, with one leg in the air and their arms outstretched. They have tan, golden-toned skin, blond hair, and golden fabric draped loosely around them, billowing backward as they run. On the right is a pale person standing upright in a tree, their arms outstretched. They appear intertwined with the tree, with their feet nestled in the light brown trunk and their head and hands covered in olive-green leaves. The background features indistinct brown shapes against a clear blue sky.
    Apollo and DaphneJohn Singer Sargent, c. 1916/1919Courtesy National Gallery of Art, Washington
  2. The image shows a tall, intricately designed purple candlestick against a light beige background. The overall color palette is dominated by shades of purple. The candlestick is centrally positioned and stands upright with detailed patterns visible.
    VaseJanet Riza, c. 1937Courtesy National Gallery of Art, Washington
  3. This is a painting of a vintage fire hose cart. It is intricately designed, featuring a four-wheeled cart meant to hold a coiled fire hose. The painting showcases the cart's wooden spoked wheels and hose mechanism, as well as ornate wrought iron designs and a brass figure. A bell is depicted above one wheel. The painting captures the craftsmanship of the era and is reminiscent of the style of Charles Demuth, known for his attention to detail and focus on industrial and architectural elements.
    Fire Hose ReelHans Mangelsdorf, c. 1938Courtesy National Gallery of Art, Washington
  4. Vibrantly colored geometric painting of a central white and blue waterfall with birds visible through it. A stylized red jungle cat and black wild boar drink at bottom right. Red water wheel at left, angular blue and white cityscape top at left, tree top at right.
    The Bewitched MillFranz Marc, 1913Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. The Old Orchard, by Arthur A. Marschner, 1915
    The Old OrchardArthur A. Marschner, 1915Courtesy of the Smithsonian American Art Museum
  2. Dutton Lumber Yard, by Thomas Weeks Barrett, 1942
    Dutton Lumber YardThomas Weeks Barrett, 1942Courtesy of the Smithsonian American Art Museum
  3. The image shows a dress with a pink and white vertical striped pattern. The color palette is predominantly soft pinks and whites with subtle shading for light and shadow effects on the fabric. The dress is positioned at the center of the image, with sleeves extending slightly outward to the sides.
    Child's DressLucien Verbeke, c. 1937Courtesy National Gallery of Art, Washington
  4. The image shows a wooden stool with a semi-circular seat on a light beige background. The stool has four slim legs and a primarily brown color.
    Shaker Music RackAlfred H. Smith, c. 1936Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. This is a drawing of a decorative mirror. It presents a detailed design of an ornate mirror with two views: a front view and a sectional view. The mirror frame is embellished with elaborate motifs, including scrolls and floral elements. The sectional view shows the mirror's depth and structural details, indicating attention to construction. Measurements are included in inches, with title and notes providing context on the mirror's location and purpose as part of interior furnishings.
    MirrorB. Holst-Grubbe, 1935/1942Courtesy National Gallery of Art, Washington
  2. The Hill Field, by Arthur Wesley Dow, 1908-1910
    The Hill FieldArthur Wesley Dow, 1908-1910Courtesy of the Smithsonian American Art Museum
  3. The image displays a single ornate vase with a bulbous base and a ruffled top, taking up most of the frame. The vase is predominantly pink with red accents, the ruffled top is highlighted with white on the inner edges, and there's a crisscross pattern visible on the body. Against a plain beige background, the vase is centrally positioned.
    Ornamental Ruby VaseRobert Stewart, c. 1936Courtesy National Gallery of Art, Washington
  4. The image shows a painted artwork within an ornate frame. The artwork features a figure standing with one hand raised. The figure has long hair and a beard, and wears flowing blue and white garments. The background shows an earthy surface and a sky. The frame is gold and elaborately designed. The scene is set against a blank, light-colored background.
    Original Tabernacle, for Communion VesselsDayton Brown, 1936Courtesy National Gallery of Art, Washington