Floor plan

Time and placeThe 19th century

The 19th century

Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.
French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu), by Utagawa (Gountei) Sadahide, 1st month, 1861
Thomas Eakins
Danjūrō VII's Benkei as Fudō Myōō, by Utagawa Kunisada, ca. 1824
Painting of four women with blue shawls walking near red fence.
Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō", by Utagawa Hiroshige, ca. 1833–34
Painting Nine from Album of Paintings by Haizan, by Yoshitsugu Haizan, late 1800s–early 1900s

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.
    Self-PortraitVincent van Gogh, 1887Courtesy of the Art Institute of Chicago
  2. French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu), by Utagawa (Gountei) Sadahide, 1st month, 1861
    French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu)Utagawa (Gountei) Sadahide, 1st month, 1861Courtesy of The Metropolitan Museum of Art
  3. Thomas Eakins
    Portrait of Mrs. Thomas EakinsThomas Eakins, (c. 1899)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
  4. Danjūrō VII's Benkei as Fudō Myōō, by Utagawa Kunisada, ca. 1824
    Danjūrō VII's Benkei as Fudō MyōōUtagawa Kunisada, ca. 1824Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Painting of four women with blue shawls walking near red fence.
    Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago
  2. Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō", by Utagawa Hiroshige, ca. 1833–34
    Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō"Utagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art
  3. Painting Nine from Album of Paintings by Haizan, by Yoshitsugu Haizan, late 1800s–early 1900s
    Painting Nine from Album of Paintings by HaizanYoshitsugu Haizan, late 1800s–early 1900sCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Francois Pierre Guillaume Guizot, by George Peter Alexander Healy, 1841
    Francois Pierre Guillaume GuizotGeorge Peter Alexander Healy, 1841Courtesy of the Smithsonian American Art Museum
  2. A work made of oil on canvas.
    Rabbit Warren at Pontoise, SnowCamille Pissarro, 1879Courtesy of the Art Institute of Chicago
  3. Mrs. Mayer and Daughter, by Ammi Phillips, 1835–40
    Mrs. Mayer and DaughterAmmi Phillips, 1835–40Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Beggar (Kojiki), by Hirafuku Suian, 1871
    Beggar (Kojiki)Hirafuku Suian, 1871Courtesy of the Cleveland Museum of Art
  2. A work made of oil on panel.
    Colonnade and Gardens of the Medici PalaceStyle of Hubert Robert, After 1870Courtesy of the Art Institute of Chicago
  3. There are two teapots in the image. The larger teapot has a decorative pattern of red leaves and blue curve on an olive-green background, with a white handle. The smaller teapot has a dark brown glossy finish. The color palette consists of earthy tones like browns, olive green, red, and blue. The larger teapot is positioned slightly to the right, behind the smaller one, which is in the foreground on a reflective green surface. The background has a light beige appearance.
    Asian Tea PotsHenry Farrer, n.d.Courtesy National Gallery of Art, Washington
  4. A work made of oil on canvas.
    The Song of the LarkJules Breton, 1884Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A work made of soft ground etching from two plates, with roulette, on paper.
    Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et FlamandsChristian Josi, 1826Courtesy of the Art Institute of Chicago
  2. Artist: Nathaniel Jocelyn, Sitter: William Lloyd Garrison, Current owner: National Portrait Gallery, Smithsonian Institution
    William Lloyd GarrisonNathaniel Jocelyn, 1833Courtesy of the National Portrait Gallery, Smithsonian Institution