Floor plan

Time and placeThe 17th century

The 17th century

A work made of oil on canvas.
The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
Drawing of god, radiating light, reaching down from clouds, touching male figure.
Fish and rocks, by Bada Shanren (Zhu Da), dated 1699
A work made of red chalk, with stumping, on tan laid paper.
A work made of etching in black on ivory laid paper.
The image shows a wide aerial view of a public gathering. Buildings line the horizon overlooking the scene below. The detailed illustration features various individuals and animals in motion, including groups of people, horse riders, and carts. The monochromatic color palette contributes to a classic aesthetic.
A work made of oil on canvas.

The works in this room are listed below.

Works in this room

Works made in the 17th century, anywhere in the world.

Section 1, north wall

  1. A work made of oil on canvas.
    The CrucifixionFrancisco de Zurbarán, 1627Courtesy of the Art Institute of Chicago
  2. The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
    The Meeting of Christ with Martha and Mary after the Death of LazarusRembrandt van Rijn, c. 1662–65Courtesy of the Cleveland Museum of Art
  3. Drawing of god, radiating light, reaching down from clouds, touching male figure.
    The Creation of AdamGiovanni Benedetto Castiglione, c. 1645/50Courtesy of the Art Institute of Chicago
  4. Fish and rocks, by Bada Shanren (Zhu Da), dated 1699
    Fish and rocksBada Shanren (Zhu Da), dated 1699Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A work made of red chalk, with stumping, on tan laid paper.
    Seated Male NudeFrançois Le Moyne, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of etching in black on ivory laid paper.
    The Colossal Statue of the Apennines, from Views of Villa di PratolinoStefano della Bella, c. 1653Courtesy of the Art Institute of Chicago
  3. The image shows a wide aerial view of a public gathering. Buildings line the horizon overlooking the scene below. The detailed illustration features various individuals and animals in motion, including groups of people, horse riders, and carts. The monochromatic color palette contributes to a classic aesthetic.
    Piazza Presso alla Porta al PratoEdouard Eckman, 1621Courtesy National Gallery of Art, Washington
  4. A work made of oil on canvas.
    The ResurrectionCecco del Caravaggio, c. 1619-20Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of oil on canvas.
    Ecce Agnus DeiBartolomé Esteban Murillo, c. 1655Courtesy of the Art Institute of Chicago
  2. Study of a Young Woman, by Johannes Vermeer, ca. 1665–67
    Study of a Young WomanJohannes Vermeer, ca. 1665–67Courtesy of The Metropolitan Museum of Art
  3. Cottage among Trees, by Rembrandt van Rijn, ca. 1650
    Cottage among TreesRembrandt van Rijn, ca. 1650Courtesy of The Metropolitan Museum of Art
  4. Border Designs for the Mortlake "Acts of the Apostles" Tapestries, by Franz Cleyn, ca. 1626–36
    Border Designs for the Mortlake "Acts of the Apostles" TapestriesFranz Cleyn, ca. 1626–36Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. A work made of pen and brown ink and brush and brown wash, over graphite, on cream laid paper laid down on off-white laid paper.
    Antique Carved Marble Candelabra BaseAndrea di Lione, 1642/44 or 1647/51Courtesy of the Art Institute of Chicago
  2. A work made of pen and brown ink and brush and brown wash on ivory laid paper, laid down on cream laid paper.
    The Coronation of the Virgin and The Flight into EgyptJan de Bisschop, 1648/71Courtesy of the Art Institute of Chicago
  3. Juan de Pareja (ca. 1608–1670), by Diego Velázquez, 1650
    Juan de Pareja (ca. 1608–1670)Diego Velázquez, 1650Courtesy of The Metropolitan Museum of Art
  4. "Rosette Bearing the Names and Titles of Shah Jahan", Folio from the Shah Jahan Album, recto: ca. 1645; verso: ca. 1630–40
    "Rosette Bearing the Names and Titles of Shah Jahan", Folio from the Shah Jahan AlbumUnrecorded maker, recto: ca. 1645; verso: ca. 1630–40Courtesy of The Metropolitan Museum of Art