Floor plan

Time and place17th-century France

17th-century France

Painting of Greek landscape, classical architecture, yellow, red robed man reading.
Queen Esther Approaching the Palace of Ahasuerus, by Claude Lorrain (Claude Gellée), 1658
Still Life with Shells and a Chip-Wood Box, by Sebastian Stoskopff, late 1620s
Nymphs and a Satyr (Amor Vincit Omnia), by Nicolas Poussin, c. 1625–27
The image is a landscape view with a natural scene depicted in fine etching. The horizon is situated towards the middle of the composition, where the land gently rises, and a subtle outline of distant hills is visible. Large rocks and foliage are depicted close to us, with a lone, barren tree extending upwards on the left side. The etching features intricate and well-defined brushstrokes, including thin lines and cross-hatching to create texture and depth. The color palette is monochromatic, with dark tones against a lighter background. In the distance, additional clusters of trees can be seen, rendered with similar linework to convey movement and detail.
This is a drawing of a busy street scene with architectural structures and various figures. It depicts a large open area bordered by a grand building to the left and a rounded tower or structure to the right. The left side of the scene is lined with stairs leading up to an elevated walkway or platform, where people are gathered. In the middle and to the right, a crowd has formed, encompassing the space in front of the tower. Various individuals, some wearing distinctive headgear, are seen mingling and gesturing. The architectural details in the background, such as the windows and brickwork of the tower, frame the scene below. A hand-operated apparatus extends from the tower, possibly for lifting goods or supplies. The drawing captures a dynamic urban moment.
Samson, by Valentin de Boulogne, 1630–31

The works in this room are listed below.

Works in this room

Works made in France in the 17th century.

Section 1, north wall

  1. Painting of Greek landscape, classical architecture, yellow, red robed man reading.
    Landscape with Saint John on PatmosNicolas Poussin, 1640Courtesy of the Art Institute of Chicago
  2. Queen Esther Approaching the Palace of Ahasuerus, by Claude Lorrain (Claude Gellée), 1658
    Queen Esther Approaching the Palace of AhasuerusClaude Lorrain (Claude Gellée), 1658Courtesy of The Metropolitan Museum of Art
  3. Still Life with Shells and a Chip-Wood Box, by Sebastian Stoskopff, late 1620s
    Still Life with Shells and a Chip-Wood BoxSebastian Stoskopff, late 1620sCourtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Nymphs and a Satyr (Amor Vincit Omnia), by Nicolas Poussin, c. 1625–27
    Nymphs and a Satyr (Amor Vincit Omnia)Nicolas Poussin, c. 1625–27Courtesy of the Cleveland Museum of Art
  2. The image is a landscape view with a natural scene depicted in fine etching. The horizon is situated towards the middle of the composition, where the land gently rises, and a subtle outline of distant hills is visible. Large rocks and foliage are depicted close to us, with a lone, barren tree extending upwards on the left side. The etching features intricate and well-defined brushstrokes, including thin lines and cross-hatching to create texture and depth. The color palette is monochromatic, with dark tones against a lighter background. In the distance, additional clusters of trees can be seen, rendered with similar linework to convey movement and detail.
    A Rocky PondLaurent de La Hyre, 1640Courtesy National Gallery of Art, Washington
  3. This is a drawing of a busy street scene with architectural structures and various figures. It depicts a large open area bordered by a grand building to the left and a rounded tower or structure to the right. The left side of the scene is lined with stairs leading up to an elevated walkway or platform, where people are gathered. In the middle and to the right, a crowd has formed, encompassing the space in front of the tower. Various individuals, some wearing distinctive headgear, are seen mingling and gesturing. The architectural details in the background, such as the windows and brickwork of the tower, frame the scene below. A hand-operated apparatus extends from the tower, possibly for lifting goods or supplies. The drawing captures a dynamic urban moment.
    The Slave MarketJacques Callot, 1620Courtesy National Gallery of Art, Washington
  4. Samson, by Valentin de Boulogne, 1630–31
    SamsonValentin de Boulogne, 1630–31Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Portrait of Charlotte Duchesne, by Philippe de Champaigne, ca. 1628
    Portrait of Charlotte DuchesnePhilippe de Champaigne, ca. 1628Courtesy of The Metropolitan Museum of Art
  2. Study of a Shepherd, 1700s
    Study of a ShepherdUnrecorded French maker, 1700sCourtesy of the Cleveland Museum of Art
  3. The Four Seasons: Autumn, by Abraham Bosse, 1635
    The Four Seasons: AutumnAbraham Bosse, 1635Courtesy of the Cleveland Museum of Art
  4. Lute Player, by Valentin de Boulogne, ca. 1625–26
    Lute PlayerValentin de Boulogne, ca. 1625–26Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. A work made of black chalk, with touches of white chalk, on cream laid paper.
    A ProcessionAmbroise Dubois, c. 1610Courtesy of the Art Institute of Chicago
  2. The image shows four elderly men around a table. They have long hair and beards, and appear focused as they write or take notes on tablets. They wear classical robes and sit in different postures, engaged in writing or possibly calculating. Two hold writing implements and tablets, while a third holds a scroll. Above them, a seated figure with wings is present. Light rays emanate from a dove at the top, highlighting a celestial influence. An eagle is perched nearby. Architectural elements like columns and arches are in the background. A lion's head is under the table.
    The Four EvangelistsRobert NanteuilCourtesy National Gallery of Art, Washington
  3. A work made of oil on canvas.
    Peasant Family at a WellThe Master of the Children's Caps, 1650/60Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. The Abduction of the Sabine Women, by Nicolas Poussin, probably 1633–34
    The Abduction of the Sabine WomenNicolas Poussin, probably 1633–34Courtesy of The Metropolitan Museum of Art
  2. The Holy Family on the Steps, by Nicolas Poussin, 1648
    The Holy Family on the StepsNicolas Poussin, 1648Courtesy of the Cleveland Museum of Art