Floor plan

Artist galleriesUnrecorded makers

Unrecorded makers

A work made of hanging scroll; ink, colors, and cut gold on silk.
English Warship Firing a Salute, 1690
Lord Rothes, 1768
Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025), 1444
Martha Scolding Her Vain Sister Mary Magdalene, 17th century
The Fourth King of Hell, late 1300s

The works in this room are listed below.

Works in this room

Works whose makers the museums don't name.

First room, north wall

  1. A work made of hanging scroll; ink, colors, and cut gold on silk.
    The Bodhisattva Seishi, from the triptych Approach of the Amida TrinityUnrecorded Japanese maker, Kamakura Period, mid–13th centuryCourtesy of the Art Institute of Chicago
  2. English Warship Firing a Salute, 1690
    English Warship Firing a SaluteUnrecorded Dutch maker, 1690Courtesy of the Cleveland Museum of Art
  3. Lord Rothes, 1768
    Lord RothesUnrecorded British maker, 1768Courtesy of the Smithsonian American Art Museum

First room, south wall

  1. Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025), 1444
    Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025)Unrecorded Persian maker, 1444Courtesy of the Cleveland Museum of Art
  2. Martha Scolding Her Vain Sister Mary Magdalene, 17th century
    Martha Scolding Her Vain Sister Mary MagdaleneUnrecorded French maker, 17th centuryCourtesy of the Smithsonian American Art Museum
  3. The Fourth King of Hell, late 1300s
    The Fourth King of HellUnrecorded Korean maker, late 1300sCourtesy of the Cleveland Museum of Art

Second room, south wall

  1. A work made of six-panel screen; ink, colors, and gold on paper.
    Baskets with Flowers of the Four SeasonsUnrecorded Japanese maker, 19th centuryCourtesy of the Art Institute of Chicago
  2. Mountain Market, Clear with Rising Mist, early 1500s
    Mountain Market, Clear with Rising MistUnrecorded Korean maker, early 1500sCourtesy of the Cleveland Museum of Art

Second room, north wall

  1. Roses in a Vase, 1880/1900
    Roses in a VaseUnrecorded French maker, 1880/1900Courtesy National Gallery of Art, Washington
  2. The Square of Saint Mark's, Venice, c. 1770/1800
    The Square of Saint Mark's, VeniceUnrecorded maker, c. 1770/1800Courtesy National Gallery of Art, Washington
  3. Adoration of the Shepherds, c. 1500
    Adoration of the ShepherdsUnrecorded Italian maker, c. 1500Courtesy of the Cleveland Museum of Art
  4. A work made of ink and color on hemp cloth.
    Korean Buddhist PaintingUnrecorded Korean maker, late 19th-early 20th centuryCourtesy of the Art Institute of Chicago

Third room, north wall

  1. The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560
    The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art
  2. Study of a Shepherd, 1700s
    Study of a ShepherdUnrecorded French maker, 1700sCourtesy of the Cleveland Museum of Art
  3. The image displays an oval portrait of a man's upper torso. He is turned slightly to the right, looking directly at the viewer with a composed expression. The man has pale skin, defined facial features, softly arched eyebrows, a subtle mustache, and styled hair in an 18th-century fashion. He wears a blue coat with white lapels, silver buttons, and a silver-fringed epaulet on the shoulder, along with a cravat and waistcoat. The background is a smooth, neutral gray.
    Portrait of a Man in a Military UniformUnrecorded French maker, 18th centuryCourtesy National Gallery of Art, Washington
  4. Young Girl, n.d.
    Young GirlUnrecorded maker, n.d.Courtesy of the Smithsonian American Art Museum