Floor plan

Artist galleriesJean Louis Forain

Jean Louis Forain

A work made of oil on canvas.
In this painting, there are two women standing near a body of water, surrounded by tall green grass and white flowers. One woman wears a bright pink dress, while the other wears a brown dress with a white apron. The woman in pink holds a long, thin rod outwards, its other end connected to a thin string and a small red lure floating on the water. The other woman stands behind her and holds a baby wearing white clothes and a white bonnet. Behind both women, on the right, is a brown shape like a small dog running towards them. The reflection of the women is visible against the still, blue water. The sky is light blue at the top, transitioning to a warm pink by the horizon, crossed by purple clouds and a flock of small birds. In the bottom right corner, across the water from the women, is a patch of more tall blue-and-green grass. The brushstrokes of the painting are light and feathery.
This painting depicts a wide, grassy green field with distant green hills under a blue sky with fluffy white clouds. To the right of center, two men and one woman seem to be engaged in conversation. One man wears a dark suit with a long jacket over it and a top hat, and the other man wears a red shirt with tan breeches, tall black boots, a shorter brown coat, and a round hat. The woman wears a long pink dress with a ruffled black neckline and a large pink hat. Behind them, on the left, are four people riding horses, all headed towards the back left. On the far left, more men and women in dresses and suits seem to watch as the horses and riders race by, one woman holding a large white parasol. All of the people appear to have light skin, and their facial features are indistinct. The brushstrokes in the painting are loose and visible, and the landscape and sky are painted with short, overlapping lines going in different directions, giving the scene a hazy impression.

The works in this room are listed below.

Works in this room

Jean Louis Forain (French, 1852–1931). Every work of theirs in the collection, in today's hang.

North wall

  1. A work made of oil on canvas.
    In the WingsJean Louis Forain, 1899Courtesy of the Art Institute of Chicago
  2. In this painting, there are two women standing near a body of water, surrounded by tall green grass and white flowers. One woman wears a bright pink dress, while the other wears a brown dress with a white apron. The woman in pink holds a long, thin rod outwards, its other end connected to a thin string and a small red lure floating on the water. The other woman stands behind her and holds a baby wearing white clothes and a white bonnet. Behind both women, on the right, is a brown shape like a small dog running towards them. The reflection of the women is visible against the still, blue water. The sky is light blue at the top, transitioning to a warm pink by the horizon, crossed by purple clouds and a flock of small birds. In the bottom right corner, across the water from the women, is a patch of more tall blue-and-green grass. The brushstrokes of the painting are light and feathery.
    The Artist's Wife FishingJean Louis Forain, 1896Courtesy National Gallery of Art, Washington
  3. This painting depicts a wide, grassy green field with distant green hills under a blue sky with fluffy white clouds. To the right of center, two men and one woman seem to be engaged in conversation. One man wears a dark suit with a long jacket over it and a top hat, and the other man wears a red shirt with tan breeches, tall black boots, a shorter brown coat, and a round hat. The woman wears a long pink dress with a ruffled black neckline and a large pink hat. Behind them, on the left, are four people riding horses, all headed towards the back left. On the far left, more men and women in dresses and suits seem to watch as the horses and riders race by, one woman holding a large white parasol. All of the people appear to have light skin, and their facial features are indistinct. The brushstrokes in the painting are loose and visible, and the landscape and sky are painted with short, overlapping lines going in different directions, giving the scene a hazy impression.
    The Race TrackJean Louis Forain, c. 1891Courtesy National Gallery of Art, Washington