Floor plan

Artist galleriesLorenzo di Credi (Lorenzo d'Andrea d'Oderigo)'s contemporaries

Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)'s contemporaries

Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s
Portrait of a Young Woman, by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo), ca. 1490–1500
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), by Michelangelo Buonarroti, ca. 1510–11
Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34
View of Venice, by Jacopo de' Barbari, 1500
The image shows a man seated with a slight forward tilt. He is muscular, with one leg bent and the other extended. His head is turned to the left in profile, revealing his facial features, which include a large nose, full beard, and curly hair. He appears naked except for a fabric drape over his shoulders. In his left hand, he holds a staff, and there is a plant with twisting vines near him. The background is a shaded rocky surface with no other details.

The works in this room are listed below.

Works in this room

A few works by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo), then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

Section 1, north wall

  1. Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s
    Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art
  2. Portrait of a Young Woman, by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo), ca. 1490–1500
    Portrait of a Young WomanLorenzo di Credi (Lorenzo d'Andrea d'Oderigo), ca. 1490–1500Courtesy of The Metropolitan Museum of Art
  3. Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), by Michelangelo Buonarroti, ca. 1510–11
    Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)Michelangelo Buonarroti, ca. 1510–11Courtesy of The Metropolitan Museum of Art
  4. Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34
    Portrait of a Man, Possibly Girolamo RosatiLorenzo Lotto, 1533–34Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. View of Venice, by Jacopo de' Barbari, 1500
    View of VeniceJacopo de' Barbari, 1500Courtesy of the Cleveland Museum of Art
  2. The image shows a man seated with a slight forward tilt. He is muscular, with one leg bent and the other extended. His head is turned to the left in profile, revealing his facial features, which include a large nose, full beard, and curly hair. He appears naked except for a fabric drape over his shoulders. In his left hand, he holds a staff, and there is a plant with twisting vines near him. The background is a shaded rocky surface with no other details.
    Man Seated Holding a Forked StaffGiovanni Antonio da Brescia, c. 1514/1515Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. A Bear Walking, by Leonardo da Vinci, ca. 1482–85
    A Bear WalkingLeonardo da Vinci, ca. 1482–85Courtesy of The Metropolitan Museum of Art
  2. Madonna and Child, by Filippino Lippi, ca. 1483–84
    Madonna and ChildFilippino Lippi, ca. 1483–84Courtesy of The Metropolitan Museum of Art