Floor plan

Artist galleriesJohn La Farge's contemporaries

John La Farge's contemporaries

Self-Portrait, by Abbott Handerson Thayer, 1920
Wild Roses and Irises, by John La Farge, 1887
Nocturne, by John La Farge, ca. 1885
Young Husband: First Marketing, by Lilly Martin Spencer, 1854
Oil painting
The image depicts a landscape with towering rock formations dominating the scene. The ground is rugged and textured, leading the eye towards the rock pillars in the center. A structure or building is perched atop one of these rocks. The background shows the horizon above the structure, with clouds and sky stretching out beyond. The artwork features detailed brushstrokes adding texture to the rocks. The color palette is monochromatic with varying shades of charcoal or ink, emphasizing the contrast between the rocks and the sky.

The works in this room are listed below.

Works in this room

A few works by John La Farge, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

First room, north wall

  1. Self-Portrait, by Abbott Handerson Thayer, 1920
    Self-PortraitAbbott Handerson Thayer, 1920Courtesy of the Cleveland Museum of Art
  2. Wild Roses and Irises, by John La Farge, 1887
    Wild Roses and IrisesJohn La Farge, 1887Courtesy of The Metropolitan Museum of Art
  3. Nocturne, by John La Farge, ca. 1885
    NocturneJohn La Farge, ca. 1885Courtesy of The Metropolitan Museum of Art
  4. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. Oil painting
    Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution
  2. The image depicts a landscape with towering rock formations dominating the scene. The ground is rugged and textured, leading the eye towards the rock pillars in the center. A structure or building is perched atop one of these rocks. The background shows the horizon above the structure, with clouds and sky stretching out beyond. The artwork features detailed brushstrokes adding texture to the rocks. The color palette is monochromatic with varying shades of charcoal or ink, emphasizing the contrast between the rocks and the sky.
    The Cliffs of the TrinityJoseph Pennell, 1913Courtesy National Gallery of Art, Washington

Second room, south wall

  1. Cartoon for mural of Minnesota State Capital, "Institute of Justice", by Kenyon Cox, ca. 1904
    Cartoon for mural of Minnesota State Capital, "Institute of Justice"Kenyon Cox, ca. 1904Courtesy of the Smithsonian American Art Museum
  2. Spring Blossoms, Montclair, New Jersey, by George Inness, ca. 1891
    Spring Blossoms, Montclair, New JerseyGeorge Inness, ca. 1891Courtesy of The Metropolitan Museum of Art