Floor plan

Artist galleriesJan Sanders van Hemessen's contemporaries

Jan Sanders van Hemessen's contemporaries

A work made of engraving on three joined sheets of ivory laid paper.
Painting of Judith, naked, holding sword, with head of Holophernes.
A work made of engraving in black on cream laid paper.
Otto, Count of Nassau and his Wife Adelheid van Vianen, by Bernard van Orley, 1530–35
A work made of engraving on two joined sheets of ivory laid paper.
A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.

The works in this room are listed below.

Works in this room

A few works by Jan Sanders van Hemessen, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

First room, north wall

  1. A work made of engraving on three joined sheets of ivory laid paper.
    The Wedding of Cupid and PsycheHendrick Goltzius, 1587Courtesy of the Art Institute of Chicago
  2. Painting of Judith, naked, holding sword, with head of Holophernes.
    JudithJan Sanders van Hemessen, c. 1540Courtesy of the Art Institute of Chicago
  3. A work made of engraving in black on cream laid paper.
    Christ Raises the Dead Son of the Widow of NainJacob Matham, 1593/94Courtesy of the Art Institute of Chicago

First room, south wall

  1. Otto, Count of Nassau and his Wife Adelheid van Vianen, by Bernard van Orley, 1530–35
    Otto, Count of Nassau and his Wife Adelheid van VianenBernard van Orley, 1530–35Courtesy of The Metropolitan Museum of Art
  2. A work made of engraving on two joined sheets of ivory laid paper.
    The Wedding at CanaHendrick Goltzius, c. 1590-1610Courtesy of the Art Institute of Chicago
  3. A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.
    ApolloJan Harmensz. Muller, c. 1600-1620Courtesy of the Art Institute of Chicago

Second room, south wall

  1. The image shows an oval framing a scene with mountains, clouds, and trees. Delicate etched lines create textures in the landscape. The color palette is monochrome. Two figures are sitting under leafy trees, with a structure nearby.
    Two Men Seated Near the WatersideHerman van SwaneveltCourtesy National Gallery of Art, Washington
  2. The image features the upper body and head of a man in a circular frame. The man is facing slightly to the side and downward, with his body oriented to the left and his head turned towards the viewer. He has a prominent forehead, a defined nose, a furrowed brow, and a scrunched face. His hair is thinning on top, with longer strands curling around the back and sides of his head. The man has a beard with similar curled texture as his hair. He is wearing a garment that drapes over his shoulders, with visible folds and a texture that suggests a substantial fabric. No jewelry or objects are in his hands, as they are not visible in this image. The background is plain with a light, sketchy look, focusing attention on the man as the central figure in the circular composition.
    Head of an ApostleHendrick GoltziusCourtesy National Gallery of Art, Washington