Floor plan

Artist galleriesJacopo Palma il Giovane's contemporaries

Jacopo Palma il Giovane's contemporaries

The image shows a human figure with wings positioned as though in flight. The figure is captured from a slightly frontal perspective, with the head turned downwards and the right arm outstretched. The facial features are undefined, focusing more on the body's muscular structure. The figure wears a cloth or drapery around the waist and has well-defined muscles on the chest, arms, and legs. Large wings extend out behind the figure, adding to the sense of flight. The background is plain with a light texture.
A work made of etching in black on cream laid paper.
The Coronation of the Virgin, by Annibale Carracci, after 1595
Mars and Venus United by Love, by Paolo Veronese (Paolo Caliari), 1570s

The works in this room are listed below.

Works in this room

A few works by Jacopo Palma il Giovane, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

First room, north wall

  1. The image shows a human figure with wings positioned as though in flight. The figure is captured from a slightly frontal perspective, with the head turned downwards and the right arm outstretched. The facial features are undefined, focusing more on the body's muscular structure. The figure wears a cloth or drapery around the waist and has well-defined muscles on the chest, arms, and legs. Large wings extend out behind the figure, adding to the sense of flight. The background is plain with a light texture.
    A Flying AngelJacopo Palma il Giovane, 1580/1590Courtesy National Gallery of Art, Washington
  2. A work made of etching in black on cream laid paper.
    Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)Jacopo Palma il Giovane, c. 1611Courtesy of the Art Institute of Chicago

Their contemporaries

  1. The Coronation of the Virgin, by Annibale Carracci, after 1595
    The Coronation of the VirginAnnibale Carracci, after 1595Courtesy of The Metropolitan Museum of Art
  2. Mars and Venus United by Love, by Paolo Veronese (Paolo Caliari), 1570s
    Mars and Venus United by LovePaolo Veronese (Paolo Caliari), 1570sCourtesy of The Metropolitan Museum of Art

Their contemporaries, second

  1. Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600
    Saint John the Baptist Bearing WitnessAnnibale Carracci, ca. 1600Courtesy of The Metropolitan Museum of Art
  2. Danaë, by Orazio Gentileschi, c. 1623
    DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art

Their contemporaries, third

  1. A work made of etching in black on cream laid paper.
    Saint Catherine of Siena Receiving the StigmataFrancesco Vanni, c. 1595Courtesy of the Art Institute of Chicago
  2. A work made of black chalk on laid paper, laid down on tan laid pulp board.
    Study of a Standing Male NudeGiuseppe Cesari, called Cavaliere d'Arpino, 1595/96Courtesy of the Art Institute of Chicago