Floor plan

Artist galleriesGiovanni Battista Moroni's contemporaries

Giovanni Battista Moroni's contemporaries

Latona Giving Birth to Apollo and Diana on the Island of Delos, by Diana Scultori, 1561-1565
Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572
A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel. The woman and boy both have pale, white skin, and both face and look out at us against an emerald-green curtain that falls behind them. The woman has brown eyes, a straight nose, full pink lips, smooth cheeks, and a long neck. Her brown hair is pulled back under a turban densely embroidered with gold. The woman’s dress has puffed shoulders and decorative slashes on the sleeves. One gold chain rests on her throat and the other falls over her chest. She wears long gold earrings, a gold belt, and two gold rings. She holds a brown leather glove in her left hand. The boy’s face is even with the woman’s waist, and he raises his left hand to hold hers, which is draped over his shoulder. He has curly blond hair and dark eyes, and he wears black with a ruffled white shirt just visible at his collar.
Mars and Venus United by Love, by Paolo Veronese (Paolo Caliari), 1570s
The Baptism of Christ, by Jacopo Bassano, ca. 1590

The works in this room are listed below.

Works in this room

A few works by Giovanni Battista Moroni, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

First room, north wall

  1. Latona Giving Birth to Apollo and Diana on the Island of Delos, by Diana Scultori, 1561-1565
    Latona Giving Birth to Apollo and Diana on the Island of DelosDiana Scultori, 1561-1565Courtesy National Gallery of Art, Washington
  2. Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572
    Portrait of Vincenzo GuarignoniGiovanni Battista Moroni, c. 1572Courtesy of the Cleveland Museum of Art
  3. A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel. The woman and boy both have pale, white skin, and both face and look out at us against an emerald-green curtain that falls behind them. The woman has brown eyes, a straight nose, full pink lips, smooth cheeks, and a long neck. Her brown hair is pulled back under a turban densely embroidered with gold. The woman’s dress has puffed shoulders and decorative slashes on the sleeves. One gold chain rests on her throat and the other falls over her chest. She wears long gold earrings, a gold belt, and two gold rings. She holds a brown leather glove in her left hand. The boy’s face is even with the woman’s waist, and he raises his left hand to hold hers, which is draped over his shoulder. He has curly blond hair and dark eyes, and he wears black with a ruffled white shirt just visible at his collar.
    A Young Woman and Her Little BoyAgnolo Bronzino, c. 1540Courtesy National Gallery of Art, Washington

First room, south wall

  1. Mars and Venus United by Love, by Paolo Veronese (Paolo Caliari), 1570s
    Mars and Venus United by LovePaolo Veronese (Paolo Caliari), 1570sCourtesy of The Metropolitan Museum of Art
  2. The Baptism of Christ, by Jacopo Bassano, ca. 1590
    The Baptism of ChristJacopo Bassano, ca. 1590Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. A work made of oil on canvas.
    Virgin and Child with the Young Saint John the BaptistJacopo Bassano, 1560–65Courtesy of the Art Institute of Chicago
  2. A work made of etching in black on cream laid paper.
    Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)Jacopo Palma il Giovane, c. 1611Courtesy of the Art Institute of Chicago
  3. The image shows a sketch of a seated bearded figure holding an orb. The figure appears muscular, with a beard merging into long hair. The face is not detailed, and draped fabric covers part of the body. There is no jewelry, and the background is plain.
    Saint JeromeAlessandro Vittoria, 1565/1570Courtesy National Gallery of Art, Washington