Floor plan

Artist galleriesFrederick Stuart Church's contemporaries

Frederick Stuart Church's contemporaries

The Witch's Daughter, by Frederick Stuart Church, 1881
This painting shows a maritime landscape with an expansive view of the ocean and sky. The horizon is positioned in the lower third of the composition, meeting a clear sky with soft, diffused clouds. Two ships appear to be engaged in a conflict on the green, wave-filled water. One large sailing ship with fully extended sails is near the bottom right corner of the painting. It has two tall masts and multiple white sails, and it flies the flag of the U.S.A in several places. The body of this ship is gray with a wide white stripe, and cannons stick out of small holes across the ship. Small people climb on ropes up into the sails, which are covered in small white and gray dots, perhaps indicating holes. Another ship is visible in the distance on the left side of the painting, and its cannons appear to be firing, with bursts of yellow flame and smoke drifting across the water. This ship flies several flags in shades of red, blue, and white. In the background, the faint gray silhouettes of other ships can be seen across the water. The ocean is depicted with smooth brushstrokes in shades of green and white, and the wide sky is a gradient, with light blue at the top and pale yellow towards the horizon. Faint white clouds drift in the top left corner of the painting.
Landscape with Haywain, by Worthington Whittredge, 1861
The image shows the upper half of a seated woman facing forward. She has her hands clasped together in front of her. The woman appears calm with visible signs of age, including a few wrinkles on her face. She wears a white bonnet with a frilled edge tied under her chin, a dark shawl over a white high-collared blouse, and sits on a red chair with a gold trim. A red book and a handkerchief are on the surface next to her. The background transitions from deep red to brown tones.
Luman Reed, by Asher Brown Durand, 1835

The works in this room are listed below.

Works in this room

A few works by Frederick Stuart Church, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. The Witch's Daughter, by Frederick Stuart Church, 1881
    The Witch's DaughterFrederick Stuart Church, 1881Courtesy of the Smithsonian American Art Museum
  2. This painting shows a maritime landscape with an expansive view of the ocean and sky. The horizon is positioned in the lower third of the composition, meeting a clear sky with soft, diffused clouds. Two ships appear to be engaged in a conflict on the green, wave-filled water. One large sailing ship with fully extended sails is near the bottom right corner of the painting. It has two tall masts and multiple white sails, and it flies the flag of the U.S.A in several places. The body of this ship is gray with a wide white stripe, and cannons stick out of small holes across the ship. Small people climb on ropes up into the sails, which are covered in small white and gray dots, perhaps indicating holes. Another ship is visible in the distance on the left side of the painting, and its cannons appear to be firing, with bursts of yellow flame and smoke drifting across the water. This ship flies several flags in shades of red, blue, and white. In the background, the faint gray silhouettes of other ships can be seen across the water. The ocean is depicted with smooth brushstrokes in shades of green and white, and the wide sky is a gradient, with light blue at the top and pale yellow towards the horizon. Faint white clouds drift in the top left corner of the painting.
    The United States Frigate "President" Engaging the British Squadron, 1815Fitz Henry Lane, 1850Courtesy National Gallery of Art, Washington
  3. Landscape with Haywain, by Worthington Whittredge, 1861
    Landscape with HaywainWorthington Whittredge, 1861Courtesy of the Cleveland Museum of Art

Their contemporaries

  1. The image shows the upper half of a seated woman facing forward. She has her hands clasped together in front of her. The woman appears calm with visible signs of age, including a few wrinkles on her face. She wears a white bonnet with a frilled edge tied under her chin, a dark shawl over a white high-collared blouse, and sits on a red chair with a gold trim. A red book and a handkerchief are on the surface next to her. The background transitions from deep red to brown tones.
    Ann Old Coleman (Mrs. Robert Coleman)Jacob Eichholtz, c. 1820Courtesy National Gallery of Art, Washington
  2. Luman Reed, by Asher Brown Durand, 1835
    Luman ReedAsher Brown Durand, 1835Courtesy of The Metropolitan Museum of Art

Their contemporaries, second

  1. The Aegean Sea, by Frederic Edwin Church, ca. 1877
    The Aegean SeaFrederic Edwin Church, ca. 1877Courtesy of The Metropolitan Museum of Art
  2. This painting shows a park-like landscape with trees, flowers, bushes, and a pond, all surrounded by light brown paths. The pond is in the center of the park, with light green-blue water framed by bushes, ferns, and tall flowers. Across from the pond are three large, white structures that could be mausoleums. Behind them is a hill with trees and more white graves or mausoleums on top of it. On either side of the pond, past the paths that encircle it, are tall trees with leaves in shades of dark green and brown. On the right side is a tall white structure that could be a grave or a monument. At the bottom of the painting, the paths curve up over a small hill in front of the pond. In between the paths are sections of grass dotted with small pink and white flowers. On the right side of the painting, a couple walks down the hill towards the pond. The person on the left wears a long blue coat decorated with gold buttons and a large, plumed hat, while the person on the right wears a pink gown and blue bonnet. Above the scene, the sky is blue, with puffy white clouds.
    Mount Auburn CemeteryThomas Chambers, mid 19th centuryCourtesy National Gallery of Art, Washington
  3. Landscape, by George Inness, 1888
    LandscapeGeorge Inness, 1888Courtesy of the Cleveland Museum of Art