Floor plan

Artist galleriesEnoch Wood Perry's contemporaries

Enoch Wood Perry's contemporaries

Talking It Over, by Enoch Wood Perry, 1872
Young Husband: First Marketing, by Lilly Martin Spencer, 1854
Oil painting
Self-Portrait, by Abbott Handerson Thayer, 1920
Cartoon for mural of Minnesota State Capital, "Institute of Justice", by Kenyon Cox, ca. 1904
Spring Blossoms, Montclair, New Jersey, by George Inness, ca. 1891

The works in this room are listed below.

Works in this room

A few works by Enoch Wood Perry, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. Talking It Over, by Enoch Wood Perry, 1872
    Talking It OverEnoch Wood Perry, 1872Courtesy of The Metropolitan Museum of Art
  2. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art
  3. Oil painting
    Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution

Their contemporaries

  1. Self-Portrait, by Abbott Handerson Thayer, 1920
    Self-PortraitAbbott Handerson Thayer, 1920Courtesy of the Cleveland Museum of Art
  2. Cartoon for mural of Minnesota State Capital, "Institute of Justice", by Kenyon Cox, ca. 1904
    Cartoon for mural of Minnesota State Capital, "Institute of Justice"Kenyon Cox, ca. 1904Courtesy of the Smithsonian American Art Museum
  3. Spring Blossoms, Montclair, New Jersey, by George Inness, ca. 1891
    Spring Blossoms, Montclair, New JerseyGeorge Inness, ca. 1891Courtesy of The Metropolitan Museum of Art

Their contemporaries, second

  1. AMERICAN PLAINS WITH MOUNTAIN RANGE IN THE DISTANCE
    American Plains with Mountain Range in the DistanceThomas Moran, before 1872Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. The Power of Music, by William Sidney Mount, 1847
    The Power of MusicWilliam Sidney Mount, 1847Courtesy of the Cleveland Museum of Art