Floor plan

Artist galleriesCaravaggio's contemporaries

Caravaggio's contemporaries

Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600
The Crucifixion of Saint Andrew, by Caravaggio, 1606–7
The Musicians, by Caravaggio, 1597
Large painting of cupid being whipped, a woman tries to hold back the a man in red dress.
The Coronation of the Virgin, by Annibale Carracci, after 1595
A work made of black chalk with pen and brown ink on cream laid paper.

The works in this room are listed below.

Works in this room

A few works by Caravaggio, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

Section 1, north wall

  1. Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600
    Saint John the Baptist Bearing WitnessAnnibale Carracci, ca. 1600Courtesy of The Metropolitan Museum of Art
  2. The Crucifixion of Saint Andrew, by Caravaggio, 1606–7
    The Crucifixion of Saint AndrewCaravaggio, 1606–7Courtesy of the Cleveland Museum of Art
  3. The Musicians, by Caravaggio, 1597
    The MusiciansCaravaggio, 1597Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Large painting of cupid being whipped, a woman tries to hold back the a man in red dress.
    Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago
  2. The Coronation of the Virgin, by Annibale Carracci, after 1595
    The Coronation of the VirginAnnibale Carracci, after 1595Courtesy of The Metropolitan Museum of Art
  3. A work made of black chalk with pen and brown ink on cream laid paper.
    Putto Holding StaffGuido Reni, n.d.Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Martyrdom of Saint Andrew, by Guido Reni, 1600s
    Martyrdom of Saint AndrewGuido Reni, 1600sCourtesy of the Cleveland Museum of Art
  2. Danaë, by Orazio Gentileschi, c. 1623
    DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art