Floor plan

Style galleriesUkiyo-e

Ukiyo-e

A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
A work made of color woodblock print; surimono.
The Monkey Bridge, by Katsushika Taito II, early 1830s
Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters, by Kikukawa Eizan, 1812
A work made of color woodblock print; uchiwa-e.
A work made of color woodblock print; surimono.

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; surimono.
    A Pine Tree and CamelliasNiwa Tokei, 1840Courtesy of the Art Institute of Chicago
  3. The Monkey Bridge, by Katsushika Taito II, early 1830s
    The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters, by Kikukawa Eizan, 1812
    Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure QuartersKikukawa Eizan, 1812Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; uchiwa-e.
    Iwai Kumesaburo II as the Courtesan Takao in Banzei Okuni KabukiUtagawa Kunisada, c. 1827Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; surimono.
    Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga", by Tōshūsai Sharaku, 1794
    Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga"Tōshūsai Sharaku, 1794Courtesy of The Metropolitan Museum of Art
  2. Courtesans at Leisure from the series The Six Immortal Poets, by Katsukawa Shunzan, early 1780s
    Courtesans at Leisure from the series The Six Immortal PoetsKatsukawa Shunzan, early 1780sCourtesy of the Cleveland Museum of Art
  3. A work made of hand-colored woodblock print; tan-e, vertical o-oban.
    Courtesan WalkingKaigetsudo Anchi, c. 1714Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of color woodblock print; chuban.
    A Spring OutingSuzuki Harunobu, c. 1768Courtesy of the Art Institute of Chicago
  2. Postal Hōchi Newspaper no. 645, Englishman raping a wine shopkeeper's daughter (Yūbin Hōchi shinbun, roppyaku yonjū gogō), by Tsukioka Yoshitoshi, August, 1875
    Postal Hōchi Newspaper no. 645, Englishman raping a wine shopkeeper's daughter (Yūbin Hōchi shinbun, roppyaku yonjū gogō)Tsukioka Yoshitoshi, August, 1875Courtesy of The Metropolitan Museum of Art
  3. Women Grating Radish for Sashimi, by Kitagawa Utamaro, ca. 1798–99
    Women Grating Radish for SashimiKitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A work made of color woodblock print.
    Women and Children Viewing the FireworksKatsushika Hokusai, c. 1798Courtesy of the Art Institute of Chicago
  2. Evening Snow at Asuka Hill, from the series Eight Views of the Environs of Edo, by Utagawa Hiroshige, c. 1837–38
    Evening Snow at Asuka Hill, from the series Eight Views of the Environs of EdoUtagawa Hiroshige, c. 1837–38Courtesy of the Cleveland Museum of Art

Section 3, south wall

  1. Morning Cherries at Yoshiwara, by Utagawa Hiroshige
    Morning Cherries at YoshiwaraUtagawa HiroshigeCourtesy of The Metropolitan Museum of Art
  2. Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no Funabashi, by Shunkōsai Hokushū, 1822
    Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no FunabashiShunkōsai Hokushū, 1822Courtesy of The Metropolitan Museum of Art