Floor plan

Style galleriesUkiyo-e

Ukiyo-e

Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge, by Chôbunsai Eishi, c. 1792
The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince Korehito, by Tōshūsai Sharaku, 1794–75
Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First Month, by Okumura Masanobu, ca. 1736–44
“America”: Enjoying Hot Air Balloons, by Utagawa Yoshitora, 1867
Foreign Business Establishment in Yokohama (Yokohama ijin shōkan shashin no zu), by Utagawa (Gountei) Sadahide, 1861

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge, by Chôbunsai Eishi, c. 1792
    Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi BridgeChôbunsai Eishi, c. 1792Courtesy of the Cleveland Museum of Art
  2. The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince Korehito, by Tōshūsai Sharaku, 1794–75
    The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince KorehitoTōshūsai Sharaku, 1794–75Courtesy of The Metropolitan Museum of Art
  3. Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First Month, by Okumura Masanobu, ca. 1736–44
    Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First MonthOkumura Masanobu, ca. 1736–44Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. “America”: Enjoying Hot Air Balloons, by Utagawa Yoshitora, 1867
    “America”: Enjoying Hot Air BalloonsUtagawa Yoshitora, 1867Courtesy of The Metropolitan Museum of Art
  2. Foreign Business Establishment in Yokohama (Yokohama ijin shōkan shashin no zu), by Utagawa (Gountei) Sadahide, 1861
    Foreign Business Establishment in Yokohama (Yokohama ijin shōkan shashin no zu)Utagawa (Gountei) Sadahide, 1861Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters, by Kikukawa Eizan, 1812
    Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure QuartersKikukawa Eizan, 1812Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; oban.
    One Person, Six Expressions (Hitori rokumenso)Kobayashi Kiyochika, 1884Courtesy of the Art Institute of Chicago
  3. A work made of page from a color woodblock-printed volume.
    The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of color woodblock print; oban.
    Precincts of Kameido Tenjin Shrine (Kameido Tenjin keidai), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1856Courtesy of the Art Institute of Chicago
  2. Kametani Jujiro as the Shirabyoshi Dancer Yuya, by Torii Kiyomitsu, c. early 1760s
    Kametani Jujiro as the Shirabyoshi Dancer YuyaTorii Kiyomitsu, c. early 1760sCourtesy of the Cleveland Museum of Art
  3. Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō, by Utagawa Hiroshige, c. 1848–50
    Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the TōkaidōUtagawa Hiroshige, c. 1848–50Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. A work made of color woodblock print; shikishiban surimono.
    Dawn over Mout Fuji and Susaki, from the series "Five Views of Mount Fuji (Fuji goban no uchi)"Utagawa Kuniyoshi, c. 1827/29Courtesy of the Art Institute of Chicago
  2. “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
    “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art
  3. The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His Hand, by Katsukawa Shunshō, ca. 1781
    The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His HandKatsukawa Shunshō, ca. 1781Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. A Courtesan, by Kitagawa Utamaro
    A CourtesanKitagawa UtamaroCourtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; chuban.
    Viewing the MoonSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago