Floor plan

Style galleriesUkiyo-e

Ukiyo-e

Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters, by Kikukawa Eizan, 1812
A work made of color woodblock print; oban.
Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge, by Chôbunsai Eishi, c. 1792
Cherry Shell, from the series Genroku Poetry Shell Games, by Katsushika Hokusai, probably 1821
A work made of color woodblock prints; oban triptych.

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters, by Kikukawa Eizan, 1812
    Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure QuartersKikukawa Eizan, 1812Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; oban.
    In The Mood for a Walk (Yuho ga shitaso), from the series "Thirty-two Aspects of Women (Fuzoku sanjuniso)"Tsukioka Yoshitoshi, 1888Courtesy of the Art Institute of Chicago
  3. Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge, by Chôbunsai Eishi, c. 1792
    Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi BridgeChôbunsai Eishi, c. 1792Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Cherry Shell, from the series Genroku Poetry Shell Games, by Katsushika Hokusai, probably 1821
    Cherry Shell, from the series Genroku Poetry Shell GamesKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock prints; oban triptych.
    A Windy Day under the Cherry TreesUtagawa Toyokuni, c. 1797Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of color woodblock print; oban.
    Three Beauties of Our Time (Tosei san bijin)Chokosai Eisho, n.d.Courtesy of the Art Institute of Chicago
  2. The Gossips, by Suzuki Harunobu, ca. 1767
    The GossipsSuzuki Harunobu, ca. 1767Courtesy of The Metropolitan Museum of Art
  3. A Courtesan, by Kitagawa Utamaro
    A CourtesanKitagawa UtamaroCourtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. A work made of color woodblock print; oban.
    Precincts of Kameido Tenjin Shrine (Kameido Tenjin keidai), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1856Courtesy of the Art Institute of Chicago
  2. Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu), by Utagawa (Gountei) Sadahide, 9th month, 1861
    Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu)Utagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art
  3. Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai Province, by Katsushika Hokusai, early 1830s
    Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai ProvinceKatsushika Hokusai, early 1830sCourtesy of the Cleveland Museum of Art

Section 3, north wall

  1. Outfit for the Game of Incense, by Ryūryūkyo Shinsai, 19th century
    Outfit for the Game of IncenseRyūryūkyo Shinsai, 19th centuryCourtesy of The Metropolitan Museum of Art
  2. Kabuki Actor Ōtani Oniji III as Yakko Edobei, by Tōshūsai Sharaku, 1794
    Kabuki Actor Ōtani Oniji III as Yakko EdobeiTōshūsai Sharaku, 1794Courtesy of The Metropolitan Museum of Art
  3. The Monkey Bridge, by Katsushika Taito II, early 1830s
    The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art

Section 3, south wall

  1. A work made of color woodblock print; oban triptych.
    Picture of Men and Women from Many Countries (Bankoku danjo jinbutsu zue)Utagawa Yoshiiku, 1861Courtesy of the Art Institute of Chicago
  2. Kiyomizu Komachi, from the series Futabagusa nana Komachi, by Kitagawa Utamaro, 1790s
    Kiyomizu Komachi, from the series Futabagusa nana KomachiKitagawa Utamaro, 1790sCourtesy of The Metropolitan Museum of Art